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- ‘Dune: Part Two,’ ‘Shogun’ and ‘The Penguin’ Lead 2025 VES Awards Nominations February 14, 2025
- VES Awards 2025: Apes Ascend, Dune Dazzles, Robots Rule February 14, 2025
- Kingdom of the Planet of the Apes, Dune: Part Two, and The Wild Robot Reign Supreme at the VES Awards February 13, 2025
- 23rd Annual VES Awards Ruled by ‘The Wild Robot,’ ‘Dune: Part Two,’ ‘Kingdom of the Planet of the Apes’ & ‘Shōgun’ February 13, 2025
- 2025 VES Winners Include ‘Kingdom of the Planet of the Apes,’ ‘Dune: Part Two,’ and ‘The Wild Robot’ February 12, 2025
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- AN EXPLOSIVE MIX OF SFX AND VFX IGNITES FINAL DESTINATION BLOODLINES June 10, 2025By CHRIS McGOWAN Images courtesy of Warner Bros. Pictures. Final Destination Bloodlines, the sixth installment in the graphic horror series, kicks off with the film’s biggest challenge – deploying an elaborate, large-scale set piece involving the 400-foot-high Skyview Tower restaurant. While there in 1968, young Iris Campbell (Brec Bassinger) has a premonition about the Skyview […]
- VFX EMMY CONTENDERS: SETTING THE BENCHMARK FOR VISUAL EFFECTS ON TV June 3, 2025By JENNIFER CHAMPAGNE House of the Dragon expands its dragon-filled world in its second season, offering more large-scale battles and heightened aerial warfare. (Image courtesy of HBO) The 2025 Emmy race for outstanding visual effects is shaping up to be one of the most competitive in years with major genre heavyweights breaking new ground on […]
- HOLLYWOOD VFX TOOLS FOR SPACE EXPLORATION June 3, 2025By CHRIS McGOWAN This image of Jupiter from NASA’s James Webb Space Telescope’s NIRCam (Near-Infrared Camera) shows stunning details of the majestic planet in infrared light. (Image courtesy of NASA, ESA and CSA) Special effects have been used for decades to depict space exploration, from visits to planets and moons to zero gravity and spaceships […]
- SHINING A LIGHT ON ESSENTIAL DANISH VFX WITH PETER HJORTH June 3, 2025By OLIVER WEBB Images courtesy of Peter Hjorth and Zentropa, except where noted. Peter Hjorth. (Photo courtesy of Danish Film Institute) When Peter Hjorth first started out, visual effects were virtually non-existent in the Danish film industry. “We had one guy at the lab who did work on the Oxberry [rostrum animation camera], and I […]