Lyndon J. Barrois, Sr. is an acclaimed artist, animation director and filmmaker, whose film credits include The Matrix Trilogy, Happy Feet, Sucker Punch and The Thing, where he directed pivotal character animation sequences. He currently wins accolades for his unique gum wrapper sculptures and stop-motion animations of historic figures and events, whose portrait and Sportrait films are produced entirely on iPhones. An advocate for underrepresented voices in the entertainment industry, he serves on the Academy Museum’s Inclusion Advisory Committee, fostering programs and supporting exhibitions, as well as the AMPAS VFX Executive Branch.
My gum wrapper sculptures were directly influenced by my upbringing in New Orleans, where making Mardi Gras floats out of repurposed materials is part of the culture. My mom was a fanatical gum chewer and her discarded Wrigley Chewing Gum wrappers – paper on one side, foil on the other – spawned my artistic path of shaping them into humanistic sculptures. At age 10, these figures had just one job: to drive my Hot Wheels cars! As I progressed to sculpting athletes and icons, it was my desire to animate them and bring to life great moments in sports and history that led me to CalArts and a long career in animation.
When The Academy Museum was preparing to open in Los Angeles, we knew we had an opportunity and a responsibility to ensure that diverse artists and filmmakers were represented on every floor, with no one left out. It was and is imperative that this space is true to film-
makers of color and women, and not “whitewashed.” Since the advent of film, people of color have always done the work, but too often the narratives write us out. The Museum is one forum to right those wrongs..and The Academy’s Aperture 2025 diversity standards for Best Picture nominees is another move to ensure that artists from all backgrounds are not overlooked and rightfully recognized.
Art is a huge umbrella. So many people want to be artists or are qualified to be teachers who don’t get the opportunity. When it comes to nurturing and hiring talent, you have to cast a wide net beyond the people you know and people who look like you, or it limits the possibilities for such a big part of the population who deserve their shot in merit – and have so much to offer by sharing their unique vision and life experience. The work must continue and intensify to let people from all communities know that opportunities exist and to help them pursue our viable, exciting profession and succeed.
Since the advent of film, people of color have always done the work, but too often the narratives write us out.
Al and evolving technology are exciting and intimidating all at once – but we’ve been here before. Advances in tech is just the changing nature of the art form and the key is always adaptation. Way back we thought photography would kill painting, motion pictures would kill live theater, CG would kill 2D animation, mo-cap would kill character animation – and none of that happened. Advances push us to work harder, learn new things, and better our craft. The best strategy is to embrace change – because it will keep coming – and co-exist in this richer, dynamic universe.
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Extra detail was added to Monkey D. Luffy to avoid him looking like plastic rather than rubber.
While Monkey D. Luffy aims to become the king of the pirates, the manga infused with his contagious optimism and enthusiasm reigns supreme as the all-time best seller with 516.6 million copies sold since Eiichiro Oda created One Piece in 1997. The story that revolves around a treasure-hunt frenzy caused by the execution of Pirate King Gol D. Roger, which sees participants from around the world engage in questionable antics to ensure victory over the competition. The franchise has obtained longevity in other mediums with the ongoing anime television series consisting of over 1,000 episodes, and now Netflix has released a live-action version created by Steven Maeda and Matt Owens that stars Iñaki Godoy, Mackenyu, Emily Rudd, Jacob Romero Gibson, Taz Skylar, Vincent Regan and Morgan Davies. Placed in charge of making the fantasy elements a cinematic reality for the eight episodes of the first season were Visual Effects Supervisor Victor Scalise and Visual Effects Producer Scott Ramsey who previously collaborated together on Cowboy Bebop.
Colton Osorio as Young Luffy and Peter Gadiot as Shanks have conversation with the Lord of the Coast.
While a guiding principle is that visual effects have to be grounded in order to be believable, there is a cartoony aesthetic to the source material and its animated spinoffs that fans expect to be honored. “It’s truly a fine balance because if you make it too cartoony the fans might love it, but then the general audience might think it’s too much,” Scalise notes. “When we first came on everybody said, ‘We didn’t want him [Monkey D. Luffy] to be like Plastic Man.’ Originally, the punches were going to be stiff, fast and straight, and when we started applying them to shots, they felt lifeless. We started putting little bends and wiggles and an extra weight on the fist to get wrinkles, and it brought the effect to life. It’s tough because when a rubber arm has motion blur there is no detail or texture when it’s punching fast. We went in and put a lot of extra hair on his arm. That was probably one of our biggest challenges, of how do you take an animated character and make them feel real but still honor the manga. It’s funny because the further you push it, the cooler stuff comes out of it too.”
The actual skies were retained for the ocean scenes with ships.
Paired with ARRI ALEXA LF cameras were Hawk MHX Hybrid Anamorphic lenses that produce a signature fisheye effect and extreme facial closeups for the show. “That was a challenge and a half!” laughs Ramsey. “When we got down to Cape Town we found out about the lenses. The biggest challenge was, ‘Do we have enough set to fit into this?’ Because they did morph out the sides quite a bit and our sets were only built out to certain areas, so there was quite a lot of set extensions. It increased the budget quite a bit because you’re always on a lens that is roughly a 25mm if not wider. Also, the warping on the sides was challenging.” The wide angle-lensing created an extra layer of visual effects work. “When you’re trying to roto and track, you don’t have straight lines,” Scalise states. “There’s a natural blur inherent in the lenses that now you’re rotoscoping a blurred edge and tracking sharping objects that go to the edge of the frame and get soft.” Atmospherics were aided by the choice of lenses. “If there is a light anywhere near the edge of frame there is a flare in that shot,” Scalise observes. “Sometimes you don’t see it until you look at the color channels and hidden in the blue channel is a lens flare,” Scalise remarks. “We were able to add a lot of glare halation to get layers, which give a sense of depth and a cheated atmospheric perspective.”
A digital double had to be made of Buggy the Clown (Jeff Ward), as he has the ability to disassemble, have his parts fly around and reassemble himself.
“When we first came on everybody said, ‘We didn’t want [Monkey D. Luffy] to be like Plastic Man.’ Originally, the punches were going to be stiff, fast and straight, and when we started applying them to shots, they felt lifeless. We started putting little bends and wiggles and an extra weight on the fist to get wrinkles, and it brought the effect to life. … That was probably one of our biggest challenges, of how do you take an animated character and make them feel real but still honor the manga. It’s funny because the further you push it, the cooler stuff comes out of it too.”
—Victor Scalise, Visual Effects Supervisor
The extensive water simulations were created by Goodbye Kansas Studios and Rising Sun Pictures.
Glare halation was added to give a sense of depth to the shots.
All eight episodes were cut before sending off the work to the vendors. “That allowed us to get the whole series filled,” Ramsey explains. “Episode 101 through to 108, we know exactly how the story is going to progress and the ups and downs, so by the time we get to Episode 108 it is a great finale, and that had to go through the showrunners, Netflix and Tomorrow Studios.” The visual effects work for 2,334 shots was broken down in accordance to the strengths of Goodbye Kansas Studios, Framestore, Ingenuity Studios, Rising Sun Pictures, Barnstorm VFX, Eyeline Studios, Scanline VFX, Mr. Wolf, Refuge, CoSA VFX, Incessant Rain and NetFX. “The good thing is that we have worked with a lot of our vendors for awhile now,” Scalise remarks. “Even when it comes to a shared shot, they have already talked to each other before, so the handoffs are good. It creates a lot of logistical complications, as well as sometimes the assets aren’t truly one-to-one, so there is extra work on both sides.”
Ships were shot in the parking lot at Cape Town Film Studios, which meant that the water had to be created digitally.
“The problem is when you have the real ships parked in a parking lot. Rising Sun Pictures did an amazing job with the ships. When we put their model next to the real one, I bet that most people will pick the real one as being CG. The Going Merry was a full ship build placed on a tractor trailer so it could drive around slowly. Then we had half of Miss Love Duck constructed, which was repurposed into Garp’s warship. There was also a salvage ship and Maui’s sloop. We had CG versions of all of them.”
—Victor Scalise, Visual Effects Supervisor
The wide-angle lenses greatly increased the amount of digital set extensions in shots.
Much of the action unfolds on the ocean with the pirate ships battling each other while trying to evade the law-enforcing Marines. “The problem is when you have the real ships parked in a parking lot,” Scalise notes. “Rising Sun Pictures did an amazing job with the ships. When we put their model next to the real one, I bet that most people will pick the real one as being CG. The Going Merry was a full ship build placed on a tractor trailer so it could drive around slowly. Then we had half of Miss Love Duck constructed, which was repurposed into Garp’s warship. There was also a salvage ship and Maui’s sloop. We had CG versions of all of them.” The water simulations were expanded upon in certain cases. “We actually shot the Lord of the Coast in the tank without planning on replacing the water except for the shots where the creature was going to interact with it,” Scalise reveals. “Once we got to the sequence, we went, ‘Screw it. Let’s completely replace the water in all of the shots so we can have much more control over continuity.’ When you look at the creature going into the water and how the water is interacting, it looks real.”
The Going Merry was a complete practical ship build that was placed on a tractor trailer so it could move.
Much of the action unfolds on the ocean with the pirate ships battling each other while trying to evade the law-enforcing Marines.
Real skies were captured rather than rely on huge bluescreens and compositing them in later in post-production. “It’s funny – some of the shots of the real skies feel as if they were composited!” Scalise laughs. “To save cost, we kept a lot of the natural skies for when we were on the boats. The amount of bluescreen to cover the boats with these lenses was almost impossible to get the sky. We decided early on not to use a lot of bluescreen and to place it on the horizon.” A classic size and scale problem is avoiding ships looking like miniatures out in the open water. “Size and scale turned out well,” Ramsey reflects. “The only point where it came into play was when we were doing Garp throwing the cannonball back at Luffy. They had parked the practical Going Merry, and it was shot over Garp’s shoulder, but when we got into post the shot didn’t feel like the distance that was wanted. We roto’d Garp out of that scene and replaced it with a 3D Going Merry.”
Camera tricks assisted in creating the impression that Monkey D. Luffy has the ability to stretch his limbs.
Iñaki Godoy as Monkey D. Luffy battles a group of Marines.
“Size and scale turned out well. The only point where it came into play was when we were doing Garp throwing the cannonball back at Luffy. They had parked the practical Going Merry, and it was shot over Garp’s shoulder, but when we got into post the shot didn’t feel like the distance that was wanted. We roto’d Garp out of that scene and replaced it with a 3D Going Merry.”
—Scott Ramsey, Visual Effects Producer
Monkey D. Luffy (Iñaki Godoy) discovers the Going Merry while visiting a shipbuilding yard.
Italy influenced the world-building, as Loguetown was based on Sorrento and Shells Town on Positano, Italy. “We had plans going in to modify real-world locations so we weren’t going into full CG builds of environments for some of the bigger ones,” Scalise remarks. “We able to shoot other parts of the Amalfi Coast and turn that into different islands.” A signature massive aquatic creature is Lord of the Coast, created by Goodbye Kansas Studios. “We did it the traditional way in that once we had the look of the concept, we went into modeling and did all of the turntables,” Scalise states. “Overall, we liked the early concept art, which is in the show. The amount of detail into the muscle work and all of the different layers of animation where, if you look at it closely, there are a lot of moving things to the slime on the skin. The biggest thing that we went back and forth on was, originally, a bit of red was put into the fins and pulling that out was our biggest note.”
Admiral Garp utilizes a telepathic species of snail known as a Den Den Mushi to be able to vocally and visually communicate across the world.
A digital double had to be produced for Buggy the Clown, as he can literally cause every part of his body to dissemble, fly around and reassemble. “I love that scene between Buggy and Luffy because almost every shot is a visual effect and their onscreen relationship was great,” Scalise remarks. “It’s a funny, dark, scary scene. One my favorite creatures that we built is the News Coo by Framestore. It was originally built for only three shots; however, when everybody saw it, anytime we could possibly figure out a place to sneak it in, we added it to another half dozen shots.” Ramsey favors the naval battle in Episode 105 between Garp and Luffy. “It was entirely shot at Cape Town Film Studios without water. Every shot is probably a visual effects shot. We brought in Rising Sun Pictures because they can do great ship models and CG water. It’s fast-paced, exciting, and kicks off Episode 105 really well.”
All eight episodes of the first season were cut before sending off the work to the vendors, with 2,334 visual effects shots created in total.
“[The naval battle in Episode 105] was entirely shot at Cape Town Film Studios without water. Every shot is probably a visual effects shot. We brought in Rising Sun Pictures because they can do great ship models and CG water. It’s fast-paced, exciting, and kicks off Episode 105 really well.”
—Victor Scalise, Visual Effects Supervisor
Italy influenced the world-building, as Loguetown was based on Sorrento and Shells Town on Positano.
Scalise concludes, “Everybody’s hope is that this [live adaption of One Piece] opens up the world to people because of the positive message of ‘do what you feel that you’re supposed to do versus what people are telling you what you should do.’ That relates to a lot of people and gives them an optimism, which this world probably needs right now.”
Watch a featurette on the making of One Piece Season 1 and some of the VFX work involved in the live-action adaption of the manga gemstone. Click here: https://www.youtube.com/watch?v=0EIfmn5Gk9A
Images courtesy of Crafty Apes VFX and Prime Video.
The set for Bing-Bang Burger was actually a miniature, so careful attention had to be paid to make sure that the shadows were cast correctly.
When it comes to tall orders, I’m a Virgo Visual Effects Supervisor Todd Perry asked Crafty Apes VFX to produce a 13-foot high teenage protagonist named Cootie, who gets to experience the world beyond his sheltered existence for the first time in the satirical Prime Video series created by director/writer Boots Riley. “Boots didn’t want to use CG to make Cootie look bigger, so several different approaches were utilized for every shot,” states Aleksandra Sienkiewicz, Visual Effects Supervisor at Crafty Apes. “We had shots with puppets that we had to replace the head or augment the body. Or Cootie was shot in a miniature set with him being closer to the camera so he was appearing bigger. Or he was on a platform.” The methodology had to appear indistinguishable to the viewer. “For me, it was interesting to see because I grew up watching a movie like Elf where they did a lot of that kind of trickery,” remarks Ruth Stewart-Patterson, Production Manager at Crafty Apes. “We were doing our comp work and trying to make things look seamless.”
For the driving shots through the city Crafty Apes VFX had to add motion to hands of the puppet and do a face replacement.
“Boots [series creator/director/writer Boots Riley] didn’t want to use CG to make Cootie look bigger, so several different approaches were utilized for every shot. We had shots with puppets that we had to replace the head or augment the body. Or Cootie was shot in a miniature set with him being closer to the camera so he was appearing bigger. Or he was on a platform.”
I’m a Virgo is a superhero satire created by Boots Riley about a 13-foot tall teenager named Cootie.
Over a period of six months Crafty Apes created 210 shots. ”The thing about working on TV is when you break it down per episode or sequence, it’s easier,” Stewart-Patterson states. “You might have five sequences per episode, and sometimes you get episodes in different orders, but at the end day it’s like a movie where you go one sequence at a time and assign another team to a different sequence so that they work all together – the organization and the types of shots as well. For example, on some shots we’re integrating Cootie and on another one with CG. You have to gather the work together and figure out what pairs with what, and once you figure that out, then you try to keep these teams together as you go per episode or sequence.” Consistency had to be maintained throughout the seven episodes. “We try to keep similar shots with the same artist to make sure everything is cohesive and we’ve shared techniques with all of the artists,” Sienkiewicz remarks. “We would talk to Todd and Boots to make sure that we’re on the same page.”
Elements meant to be significantly larger, like Baby Cootie, were shot closer to the camera.
“For the scene when Cootie is on the car driving through the city, it was shot with a massive puppet on the car. We had to remove the rig, replace the head and add motion to the fingers so he looked realistic. There were a lot of 2D techniques that we used. The face was shot on a greenscreen so we had several different takes with various lighting conditions to choose from. We used cues [in the plates] to track in the face into the puppet and added a little bit of motion into the face.”
The specular quality of the puppet for Cootie was different from natural skin so lighting adjustments had to be made by Crafty Apes VFX.
Every shot was storyboarded to show how the actors would be positioned in front of the camera. “The elements we received from Todd Perry were awesome,” Sienkiewicz states. “The lighting conditions were always matching in the plates, and there were sometimes several plates that had to be merged together.” Since Cootie was closer to the camera and every character were on different planes, close attention had to be paid to shadows. Sienkiewicz explains, “In Episode 101, Cootie was super big in Bing-Bang Burger while the set was miniature. We had to make sure that the shadows of him are interacting with the walls and the other characters, as well as ensuring that the lighting conditions are matching. It was a different way of thinking compared to other shows I’ve worked on before.” Stewart-Patterson joined the project later on. “Our Shotgun mirrored their Shotgun, so it was easy to find what needed to be done, relay and see what’s left to do. It’s a lot easier when you have a road map rather than chaos,” Stewart-Patterson offers. Receiving editorial turnovers can be stressful because sometimes they come in earlier or later than expected, so flexibility is paramount. “We might get a turnover of 50 shots within an episode, so we pick out some key shots,” Stewart-Patterson details. “From there you can focus on those 10 shots and spread them out as you go further along in time. The trust between us and the client was strong, so picking the correct takes and making sure that we’ll get things done on time and scheduled properly was key to completing this project.”
Cootie has an intimate moment with Flora, who has the ability to rapidly flash a multitude of colors in a manner that resembles a hummingbird.
2D rather than 3D effects were the focus. “It was cool to see actual characters and models already in camera [rather than having to construct everything in CG],” Stewart-Patterson notes. “Aleks and Todd had a great relationship, so Aleks already knew where Todd was going to go and probably what his notes were going to be.” Boots Riley has a specific vision when it comes to how he wants to shoot and see the shots. “It was like a fresh breath of air,” Sienkiewicz remarks. “I’ve been in this industry for the past 13 or 14 years, and this was the first time I worked with miniatures, rather than build CG characters we needed to blend or augment their movements, or do face replacements. For the scene when Cootie is on the car driving through the city, it was shot with a massive puppet on the car. We had to remove the rig, replace the head and add motion to the fingers so he looked realistic. There were a lot of 2D techniques that we used. The face was shot on a greenscreen so we had several different takes with various lighting conditions to choose from. We used cues [in the plates] to track in the face into the puppet and added a little bit of motion into the face.” The puppet had more of a specular quality than normal skin. “There was some augmentation in terms of the brightness,” Sienkiewicz adds.
Series creator Boots Riley did not want to use CG to make Cootie look bigger, so several different approaches were utilized for every shot.
“A shot that stands out to me and was one of the most complex ones was Flora’s flashback in Episode 103. There was an oner shot that was 5,000 frames, and we had 13 plates that had to be stitched together because the motion was not seamless. In addition to that, it was at super speed so everything around her is still, so we had to stabilize all of the actors to make sure they don’t move or blink. If you wanted to change one thing, all of the 5,000 frames had to be rendered.”
The miniature house was shot against greenscreen and then composited into the plate photography.
Some sleepless nights were spent thinking about the project. “A shot that stands out to me and was one of the most complex ones was Flora’s flashback in Episode 103,” Sienkiewicz reveals. “There was an oner shot that was 5,000 frames, and we had 13 plates that had to be stitched together because the motion was not seamless. In addition to that, it was at super speed so everything around her is still, so we had to stabilize all of the actors to make sure they don’t move or blink.” Alternations could not be taken lightly. Continues Sienkiewicz, “If you wanted to change one thing all of the 5,000 frames had to be rendered. We divided shots between different artists. You need to find the perfect spot for making a transition where you can hide things, typically motion blur or foreground elements that make it look natural.” Flora has the ability to flash a multitude of different colors. Sienkiewicz explains, “Flora’s effect was cool. All of the Flora elements were shot at different speeds and colors. We also had plates with flashing lights that we needed to select frames that Boots liked. Because Boots liked the postvis that editorial did, we ended up asking editorial to export us AAF files that we could import into Nuke. Rather than go through minutes or hours of footage, we exactly knew which element he liked; that was our baseline for timing and then we could enhance and move forward with other effects. Boots never wanted things to look perfect; he likes an old, ragged look but with a modern twist. There was a lot of creative brainstorming about how we wanted this character to look like. Boots compared it to the Tasmanian Devil.”Another creature comes to mind for Stewart-Patterson. “When you play it fast it looks cool because it appears like a hummingbird changing colors.”
Every shot was storyboarded to show how the actors would be positioned in front of the camera.
“The shots in Bing-Bang Burger was a real Cootie shot close to the camera, but the set was a miniature. He was touching his head, so there was lots of trickery to make it look realistic. The biggest challenge was to make sure that the puppet and the real elements were cohesive and working together. There was lots of comp trickery involved!”
Boots Riley wanted to have an old, ragged look, but with a modern twist.
Lots of compositing trickery was called upon when doing the face replacements on the puppet for Cootie. “The neck was one of the biggest issues, to make sure that he’s tucked in nicely behind the shirt,” Sienkiewicz states. “And even the chest, because the puppet was bigger that Cootie himself, so we needed to slim him down; there was some complex paintwork involved. There were a lot of rigs involved with the puppet, so there was massive cleanup in some of the shots. The shots in Bing-Bang Burger was a real Cootie shot close to the camera, but the set was a miniature. He was touching his head, so there was lots of trickery to make it look realistic. The biggest challenge was to make sure that the puppet and the real elements were cohesive and working together. There was lots of comp trickery involved!” The major task for Stewart-Patterson was being able to adapt to meet needs of the production. “When working closely with creatives, we try to reel them in but also give them as much space you can. It’s being able to assist and properly reflect to the client what creative changes might be or how much time it might take. This team really brought it in well, and the show looks great.”
Aziraphale’s wings were originally created for Season 1, but had to be recreated for Season 2 to allow for more complex motion requirements.
Created by Neil Gaiman and Terry Pratchett, and adapted for the screen by Gaiman for Amazon Prime, British fantasy comedy series Good Omens follows the antics and adventures of angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant) after they are exiled from Heaven and Hell and team up to form an unlikely duo on Earth. Milk VFX Supervisor/Co-Founder Jean-Claude Deguara served as VFX Supervisor on Good Omens Season 1 before sliding into the client-side VFX Supervisor seat for Season 2. Matias Derkacz served as Visual Effects Supervisor for Milk on the second season.
“Before the ‘let it be light’ moment, we used one of the environments to create white flashes of energy that revolved around Crowley and Aziraphale. This approach provided the right amount of light, as this part of the sequence required it to be darker. But for the creation of the nebulas, we needed the opposite effect. We used a simplified version of the nebulas on the LED screens, which allowed us to achieve complex light changes. Having access to the LED screens allowed us to archive the correct light interaction on Crowley and Aziraphale, helping us achieve the desired impact.”
“I first got involved with Good Omens on Season 1 when I was Compositing Supervisor,” Derkacz says. “Working with Jean-Claude Deguara as a client-side VFX supervisor was brilliant. Working with him so closely on Season 1, I knew what he was after. I was part of all the discussions about how to creatively push forward the show and was involved with those conversations from the very beginning. Jean-Claude had some great ideas.”
The wings were animated to follow Crowley’s body movements in order to enhance their emotions.
Discussing his initial conversations about the look of the second season, Derkacz explains that he was brought on set for the opening sequence. “I was brought in to help with virtual production for the opening sequence. Before the ‘let it be light’ moment, we used one of the environments to create white flashes of energy that revolved around Crowley and Aziraphale. This approach provided the right amount of light, as this part of the sequence required it to be darker. But for the creation of the nebulas, we needed the opposite effect. We used a simplified version of the nebulas on the LED screens, which allowed us to achieve complex light changes. Having access to the LED screens allowed us to archive the correct light interaction on Crowley and Aziraphale, helping us achieve the desired impact. So, we created material which was not meant to be on camera, but to get the light interaction.”
“It required a lot of conversations back and forth with Douglas [director Douglas Mackinnon] and Neil,” Derkacz continues. “We had a great way of working where we could regularly check in on how things were going. We used real NASA pictures of nebulas as reference. We adapted the color palettes and shapes to make it more appealing to the eye, more interesting and different. That was the way that we approached that sequence. It was 100-plus shots that we had to actually deal with.”
One of the most pressing conversations for Visual Effects Supervisor Matias Derkacz and his team revolved around the look of the Land of Uz in Episode 2.
“[Aziraphale’s and Crowley’s wings] were created for Season 1, but we redid them as they needed more complex behavior. The wings were animated to follow Crowley’s and Aziraphale’s body movements to enhance their emotions. So, there was a bit more animation work involved with this. It was more complex in the way that feathers behaved since we had to have proper feather interactions. That was the biggest sequence for sure in terms of volume and complexity. It was a fun and challenging sequence.”
One of the main assets of the show, which played a role in the Before the Beginning sequence was Aziraphale’s and Crowley’s wings, which had to be recreated for Season 2. “The wings were created for Season 1, but we redid them as they needed more complex behavior,” Derkacz explains. “The wings were animated to follow Crowley’s and Aziraphale’s body movements to enhance their emotions. So, there was a bit more animation work involved with this. It was more complex the way that feathers behaved since we had to have proper feather interactions. That was the biggest sequence for sure in terms of volume and complexity. It was a fun and challenging sequence.”
Derkacz and his team were involved with only one shot on the Soho street, a shot where the camera starts high on a crane and then goes underneath a car.
Production Designer Michael Ralph was responsible for creating the numerous time periods and their look throughout the show. One of the most pressing conversations for Derkacz and his team revolved around the look of the Land of Uz in Episode 2. “That asset needed to be done in a specific way. There were always conversations about making sure what we had created didn’t look like the Grand Canyon or like any other part of the United States,” he says. “We had an early discussion with Jean-Claude to try and get the look set for that sequence, especially when Aziraphale comes out the portal. That environment was one we discussed thoroughly, and we ended up doing everything digitally. It was based on a mix of real photos, but some of the references we had were really similar to the Grand Canyon, so we had to get something similar like that but different enough for people not to comment on it.”
Production Designer Michael Ralph was responsible for creating the numerous time periods throughout the show. The environment for the Land of Uz was completely CG, based on a mix of real photos and references to the Grand Canyon.
Around 100 people from different departments were involved with the production of the second season. “We had a big team,” Derkacz adds. “We had to be quite smart in the way that we scheduled the work because it’s a TV series and there is loads of work. Scenes like the opening sequence and the first six minutes of the second season were really important. It hasn’t really been done before, is really abstract and took a lot of time to achieve. The way that we managed the workload was working on the amount of volume that we had and in the order of episodes that we were discussing at the time. Some assets might require weeks of work.”
The actors were shot standing on greenscreen and then seamlessly added to a fully CG cemetery.
“The only shot we were involved with on the Soho street was for a shot where the camera starts quite high and then goes underneath the car. That is a really cool shot. It’s a blend between two plates because you have the main plate of the crane, and when you go underneath the car it’s full CGI, and then you go around the car and you have a mix between a CG car and a real car, and then Crawley gets out of the car. All of that has to be done as a single camera move. That’s sort of Douglas’s [director Douglas Mackinnon] signature as he loves doing these transitions, and I think they were great and really helped the flow of the episode,”
When it came to creating the set extensions, the Soho street had been completed for Season 1 and was already an established asset. “The only shot we were involved with on the Soho street was for a shot where the camera starts quite high and then goes underneath the car. That is a really cool shot. It’s a blend between two plates because you have the main plate of the crane, and when you go underneath the car it’s full CGI, and then you go around the car and you have a mix between a CG car and a real car, and then Crawley gets out of the car. All of that has to be done as a single camera move. That’s sort of Douglas’s signature as he loves doing these transitions, and I think they were great and really helped the flow of the episode,” Derkacz details.
Fire was shot as an element and done in 2D, and integrated on the set due to safety protocols.
Derkacz and his team also worked on a significant shot for one of the wartime environments. “We did work on one crane shot where we go into London and there are some zombies and fires on the street. That was quite straightforward set extension, which we blended with the smoke that we had on set. We added fire that was shot as an element, and that was all done in 2D and integrated on the set because they couldn’t have that fire next to the people as it wasn’t safe; that was added in post. We also created an environment that was used in virtual production. We built numerous destroyed buildings and added CGI fire, which were used on set as an LED screen when Crowley is driving through,” Derkacz notes.
David Tennant as Crowley and Shelley Conn as Beelzebub experience a front-seat encounter of the devilish kind, courtesy of visual effects.
“The work that we did on the tongue of the demon was really fun. It’s a quick shot, but for that shot we had to create all the CG for the tongue and all of the saliva. It’s lots of work involved for only one shot, but the good thing about that is that you build the asset, you get the shot, and you have a part of the sequence that has been approved and you can move on. … I would say that the most challenging to create wasn’t a character, it was Aziraphale’s wings. All these minimal changes in color had to be translated to white wings, which was a really difficult and complex aspect, but the end result looked great.”
Zombies with long-range, tentacle-like CG tongues can be found on the street in London. Milk delivered more than 500 shots for the second season of the show.
Derek Jakobi as Metatron, Jon Hamm as Gabriel and Liz Carr as Saraqael in a flashback scene from Heaven of Gabriel (Jon Hamm) before he’s demoted from Heaven and loses his memories. (Image courtesy of Amazon Prime)
There was lots of work put into the creature work and into key characters as well. “I really enjoyed all of the creature work that we did, especially the geckos,” Derkacz says. “The work that we did on the tongue of the demon was really fun. It’s a quick shot, but for that shot we had to create all the CG for the tongue and all of the saliva. It’s lots of work involved for only one shot, but the good thing about that is that you build the asset, you get the shot, and you have a part of the sequence that has been approved and you can move on. So, it’s pretty much based on deliveries and as well on the volume of work for the full team. I think I enjoyed the process most, working with a wonderful team from the beginning until the end. I would say that the most challenging to create wasn’t a character, it was Aziraphale’s wings. All these minimal changes in color had to be translated to white wings, which was a really difficult and complex aspect, but the end result looked great.”
Angel Aziraphale (Michael Sheen) and demon Crowley (David Tennant). According to Milk VFX Visual Effects Supervisor Matias Derkacz, the biggest challenge wasn’t to create a character, it was the wings. (Image courtesy of Amazon Prime)
Milk delivered more than 500 shots for Season 2. “What is great about Good Omens in terms of visual effects work is that it isn’t like a typical VFX TV series. Good Omens is really complex in the sense that you build an asset which is only used once. We are going back in time and we build all of this for the shot and then that’s it; we never come back to it. It’s really fun to work on a show like that because you do such much,” Derkacz concludes.
Images courtesy of Fin Design + Effects and Netflix.
A major environment build for Fin Design + Effects was constructing Vienna with moving traffic.
Thought to be dead mercenary, Tyler Rake (Chris Hemsworth) returns in the Netflix sequel Extraction 2 where the action shifts from Bangladesh to Austria under the direction of Sam Hargrave. Further complications arise when attempting to rescue a crime lord’s family from a Georgian prison. Contributing to the mayhem is Visual Effects Supervisor Björn Mayer and an army of vendors. One of the contributors was Fin Design + Effects, which over a period of six months produced 150 shots that consisted of a 360-degree panoramic view of Vienna and the climatic glass-awning fight scene.
“The thing that prepared me the most was watching the first one, and you get a sense that it’s going to be a gritty action movie [like] John Wick, but much more in your face,” states Will Towle, Visual Effects Supervisor at Fin Design + Effects. “There are different types of visual effects movies. You have Guardians of the Galaxy, which are your bombastic huge-effects shows. Then you’ve got your more down-to-earth invisible effects stuff like Extraction 2, which fits well in my compositing background. The challenge for this kind of movie is that you have to get the audience to buy into it and see the peril that the characters are in. Compositing is all about those finishing touches and adding believability. I’m also a believer that wherever possible we should use live-action effects. You can’t get more real than real. Quite often you can use them in combination with CG to bring the CG up to the next level.”
Despite building a large set piece for the awning fight sequence, major set extensions were required to replace the bluescreen.
Clear and concise instructions were articulated by Mayer. “Björn knows what he wants, and they had actually built quite a big set of the awning, but we ended up replacing all of it because you have reflections in the pieces of glass such as crew members and bluescreen,” Towle remarks. “It gave us a good starting point and base to ground our CG. Early on, Björn and I talked about other references. Pictures were shared of what this sequence might look like. We started with broad strokes and we slowly zoomed into the tiny details like anisotropic filtering, dirt maps on the glass, and kept adding layers of detail to the CG build until it looked photoreal.” Rotomation of the characters was a critical part of the process. “Because we were replacing the glass in every shot and glass is highly reflective, that required us to do accurate digital doubles of four or five characters, and those had to be rotomated into every single shot,” Towle explains. “This is not work we’ve done too extensively before, so new pipeline tools had to be written to help with that, and new animation tools as well.”
Everything had a basis in plate photography, which helped to provide a ground truth for the CG.
Guiding the shot design process were storyboards and previs. “We can start placing our cameras and see what pieces of the build might need to be up-res’d because there is a level of detail scale where the further from camera it is, the fewer details we put in to save render time and disk space,” Towle explains. “Björn and his team had flown a helicopter over Vienna and taken thousands of photos from all different positions, which was fantastic for getting a sense of the environment and what the sun looks like at the time of day that the sequence is taking place. Vienna’s midday sun is bright with not much atmosphere. We also did a lot of research on Google Maps. We flew cameras over the area on Google Earth and did some photogrammetry to build a proxy city early on to figure out camera angles and what buildings we would see from what camera height.”
“The challenge for this kind of movie is that you have to get the audience to buy into it and see the peril that the characters are in. Compositing is all about those finishing touches and adding believability. I’m also a believer that wherever possible we should use live-action effects. You can’t get more real than real. Quite often you can use them in combination with CG to bring the CG up to the next level.”
—Will Towle, Visual Effects Supervisor, Fin Design + Effects
Half of the 150 shots were entirely digital. “I would love to keep as much plate as I can, but, unfortunately, for a lot of these shots we did have to replace them with CG,” Towle states. “The challenge there was making it look as much like the reference as possible. It helped us in a way to go full CG. In almost every shot the characters are still plate, and for this show, to assist us keep the sequence on track in terms of color and lighting, we created a neutral grading pipeline for Fin Design + Effects; this is the first time we’ve done that. What that entailed was neutral grading every single shot in the sequence, and that allowed us to create our Vienna city in a neutral graded environment as well. It enabled us to light, render and drop a shot in that is looking good already and you’re nudging the last five percent in compositing. But we still had live-action elements, and with those come rebuilding edges, roto and bluescreen removal.”
The hardest part of the glass-awning fight sequence was replacing the reflections and refractions of the crew and bluescreen.
Constructing the DC Towers and surrounding Vienna were the biggest photoreal environments for Finn Design + Effects. “How are we going to build the city and add moving traffic to it?” Towle observes. “We had to have moving reflections on every surface and nearby buildings as well. That was something we were definitely anticipating. Also, the way that light travels through glass and compositing glass has some fundamental difficulties. Glass is all reflections and refractions; that’s classically quite difficult to comp because if you have a CG render of a pane of glass and you’re seeing through it, you don’t have a depth channel for the stuff you’re seeing through it. You have a depth channel of the piece of glass. We had to come up with a way to defocus all of this stuff properly. To effectively achieve that in compositing we came up with a method to stripe out the reflections and refractions from the pieces of glass, defocus them separately using a different depth channel and recombine them all. That was all done in comp.”
Deep compositing was critical in being able to manipulate and produce the correct reflections and refractions in the glass.
“[T]hey had actually built quite a big set of the awning, but we ended up replacing all of it because you have reflections in the pieces of glass such as crew members and bluescreen. It gave us a good starting point and base to ground our CG. Early on, Björn [Visual Effects Supervisor Björn Mayer] and I talked about other references. Pictures were shared of what this sequence might look like. We started with broad strokes and we slowly zoomed into the tiny details like anisotropic filtering, dirt maps on the glass, and kept adding layers of detail to the CG build until it looked photoreal.”
—Will Towle, Visual Effects Supervisor, Fin Design + Effects
Rotomation was utilized extensively for the characters and their digital doubles.
“For the hero shots that were close to the glass,” Towle continues, “we rendered it in two different layers and comped it back together in deep compositing so we didn’t have to render with holdouts. We could push and pull layers every so slightly using deep compositing. Then, just as we expected, the build of the city was extremely challenging. We started with a photographic base that was our ground truth, then put it on a sphere to see how it looks. You begin to notice things that are not in the correct perspective, like warped buildings. You can go, ‘That building needs to be reprojected onto geometry, while this one has to be full CG.’ We used it as a guide for how detailed our environment had to be. The furthest-away stuff was on a sphere. As you got a bit closer, it was put on cards, even closer on geometry, and the closest full CG. That allowed us to keep our render times down and still get a believable photoreal result.”
A last-minute alternation was to give the concluding Valhalla scene more of an epic ethereal quality.
After being the sole visual effects vendor on 10th century British saga The Last Kingdom, BlueBolt gets to apply five seasons worth of expertise to the Netflix feature film The Last Kingdom: Seven Kings Must Die. The story revolves around Uhtred of Bebbanburg attempting to unite England after the death of King Edward. “This is not a documentary,” observes Richard Frazer, VFX Supervisor at BlueBolt. “We have to start from a point of authenticity and then take some creative license because we’re still making a piece of entertainment.” The methodology did not change going from a series to feature format. “Apart from the Valhalla stuff, there wasn’t anything crazy dissimilar to what we’ve done before. We looked at it as if we were making one and a half or two episodes of the show.” Post-production lasted for seven to eight months. “The shot count of 375 doesn’t sound like much but they were extremely complex,” Frazer explains. “The main difference is that it’s one big linear focus [rather than doing pre-production, shooting and post-production of different episodes at the same time]. There wasn’t any overlap with anything else that was going on.”
Sky replacements were part of the visual effects work, such as turning scenes from day to night.
Outside of the usual numerous blood shots, the main focus was the battle at the end. “You cut to this wide battle shot [there were four or five of them], and for the three seconds that it’s onscreen there are all of these nuances of the advancement in the configuration of the two sides that have to be communicated,” Frazer states. “The Valhalla sequence was something that came in quite late and wasn’t planned for. It was filmed as scripted with Uhtred in the hall at Beddanburg. He hears this commotion, goes over, and it’s like a mirror of the hall that he has just left. It was shot that way and never meant to be visual effects. The film was locked and sent off for reviews to one of the executives who wanted it to be this much bigger thing at the end. We were nervous because it was going to take quite a significant bunch of money to get it done, and it’s such an important moment. Uhtred is on the cusp between life and death. It couldn’t be cheesy. If you die in battle, you either go to Valhalla, which is an eternal banquet with all of your fallen comrades for the rest of time, or to Fólkvangr. where you can be out in the countryside, if getting drunk for eternity isn’t your thing!”
CG water was avoided for the series but required for the feature version.
Classical paintings of Valhalla were too grand and over the top in their scale, which ran counter to the tone of show. “We did reference a shot where we go to the Isle of Man and there is a Viking longhouse, which was based on a real one that was discovered,” Frazer remarks. “For the Hall of Valhalla, we went to the production designer who had designed the Hall of Bebbanburg and said, ‘It has to feel otherworldly but grounded in a reality that Uhtred understands because of the implication that it might be a hallucination that he is having.” A blinding bright light appears in the doorway of the hall. “It was based on the Hall of Beddanburg, which was practically built and expanded into this infinite space. At the end were these giant doors that opened out onto the meadows of Fólkvangr. Originally, you were supposed to see through the doorway to the meadows beyond. We played with the exposure and levels of haze and reached this level where it was blown out and light streaking through. The executives liked that as a look because it implied something ethereal beyond, but still felt quite grounded,” Frazer says.
“The Valhalla sequence was something that came in quite late and wasn’t planned for. It was filmed as scripted with Uhtred in the hall at Beddanburg. He hears this commotion, goes over, and it’s like a mirror of the hall that he has just left. It was shot that way and never meant to be visual effects. The film was locked and sent off for reviews to one of the executives who wanted it to be this much bigger thing at the end. We were nervous because it was going to take quite a significant bunch of money to get it done, and it’s such an important moment. Uhtred is on the cusp between life and death. It couldn’t be cheesy.”
—Richard Frazer, VFX Supervisor, BlueBolt
Motion capture – with a shield and baseball bat in hand – was essential in producing the necessary number of soldiers for battle sequences.
Epic warfare is a signature part of series storytelling for The Last Kingdom, with the climax of the feature being based on the Battle of Brunanburh. “There were probably more records or poems written about the aftermath,” Frazer notes. “I don’t know how much the specific military beats within it are accurate to the real historical event. They wanted to have Untred and his forces overwhelmed and outnumbered, but by using tactics he manages to save the day. Uhtred concedes ground in order to expose their flank to a pincer maneuver attack. As much as we were trying to shoot that with drones on the battlefield, in the end it was too difficult to do that as a physical maneuver with the number of people we had. We shot a bunch of empty plates of the battlefield and did it completely CG to show the nuances of that maneuvering, which is counter to what I normally do. You should always start from a place of having real people, but at least what we attempted to shoot with the drone served as reference to rebuild all of that with our CG characters.”
It was a challenge to have the opposing armies crushing against each other enough while not making it visually confusing for the viewer.
“[The Hall of Valhalla] was based on the Hall of Beddanburgh, which was practically built and expanded into this infinite space. At the end were these giant doors that opened out onto the meadows of Fólkvangr. Originally, you were supposed to see through the doorway to the meadows beyond. We played with the exposure and levels of haze and reached this level where it was blown out and light streaking through. The executives liked that as a look because it implied something ethereal beyond, but still felt quite grounded.”
—Richard Frazer, VFX Supervisor, BlueBolt
The Uhtred side consists of Wessex and mercenary soldiers that wear uniforms, while the opposing Allied side is made of Danes and Islanders dressed entirely different from each other. “We had to find a way to create base characters and then randomize those to make them appear as individuals with the various head dressings, accessories and fur,” Frazer explains. “If you’re in a wide battle shot you need to have many variations of the actions that people are doing, otherwise you quickly start seeing repeats. We had motion capture suits in the office with a shield and baseball bat and would churn out whole new actions. We tried to get as many different people in the suits as possible to vary it up.” The battle was shot in a bowl in Hungary. “The Allied side comes down a raised hill, and Uhtred and his side come in between the treelines. We used that because when you’re in amongst all of the fighting, you need to see things above people’s heads to orientate yourself,” Frazer describes.
Approximately 370 visual effects shots were created by BlueBolt, which was the sole vendor for the feature as well as the five seasons of The Last Kingdom.
“As much as we were trying to shoot [the final battle scene] with drones on the battlefield, in the end it was too difficult to do that as a physical maneuver with the number of people we had. We shot a bunch of empty plates of the battlefield and did it completely CG to show the nuances of that maneuvering, which is counter to what I normally do. You should always start from a place of having real people, but at least what we attempted to shoot with the drone served as reference to rebuild all of that with our CG characters.”
—Richard Frazer, VFX Supervisor, BlueBolt
BlueBolt was responsible for the arrival of the armada. “It was the first shot we started and the last one that was delivered!” Frazer reveals. “It went through a lot of variations. The long shot from Season 2 that I composited of Uhtred on a slave ship, which came from inside the boat, across the bow of the deck and then up and wide, and pulls back showing the ship sailing across the sea – the director originally wanted to create something like that. One area that we haven’t touched on the show is CG water. We tend to use stock plates and work from there. That worked well for all of the shots of ships in the previous seasons, but if there is a specific countermove that is wanted, you’re limited with what you can do based on the spot plates that you were able to source. We tried doing the big pullback as it came through the ships and rigging. It wasn’t quite working. We scrapped it midway through and came back to it. That was the most challenging shot [of the movie]. The ocean itself is some stock footage that we sourced, but then the wake and all of the interaction of the boats are entirely CG. That was the tricky part.”
Watch BlueBolt’s VFX breakdown video of large, complex CG battle scenes and army formations as well as other elaborate environments for Seven Kings Must Die. Click here: https://www.blue-bolt.com/ourwork/seven-kings-must-die.
The methodology for each visual effect shot was determined on a case-by-case basis.
Working on the Disney+ fantasy series American Born Chinese holds a special place in the heart of Visual Effects Supervisor Kaitlyn Yang (Raised by Wolves), because the content on the screen and the creative talent in front and behind the camera reflected her ethnic heritage in an authentic and meaningful way. The story reimagines the myth of the Monkey King by giving the trickster god domestic life troubles in the present day and mines the humor in trying to gain self-acceptance beyond the borders of China. There is no shortage of fantasy elements as a battle between the forces of good and evil ensues with two high school students thrust right in the middle of the heavenly conflict.
“In my opinion, visual effects are best served when it’s in a supporting role. They’re invisible or we tap into the magic realism whenever the visual effects need to be front and center because story calls for it.”
—Kaitlyn Yang, Visual Effects Supervisor
American Born Chinese wanted to make sure that everything was grounded with a focus placed upon magic realism.
“Just in the script phase, right off the bat you have a falcon changing into a tiger changing into a fish! How do we do that? That ultimately becomes the perfect handoff of what was shot practically and just seeing enough of something to whet your appetite. It was kind of a morph that was more into the sparkle-lighting effects realm aided by the sound design. The camera is moving so fast that you’re like, ‘Oh, now it’s going to happen.’ There were so many of those all in the row that was so mesmerizing to watch.”
—Kaitlyn Yang, Visual Effects Supervisor
The Monkey King is capable of 72 transformations, with one of them being a falcon.
“I was extremely thrilled when I got the email, and not having so many women visible I felt like I was chosen by the claw in Toy Story!” states Yang, who is the founder and CEO of Alpha Studios. “Having the braintrust [of Asian creators, heads of departments and cast] with lived experiences allowed us to know when to take liberties and pay homage,” Yang states. “You see so many nods to Asian traditions throughout the series. We had a lot of good ideas to pick from, and then figuring out which ones fit the tone and vibe that [showrunners] Kelvin Yu and Destin Daniel Cretton had already envisioned in their head and how to amplify that.”
Stunts were pivotal in pulling off the fantasy action sequences, with wirework being utilized by martial arts icon/Oscar winner Michelle Yeoh.
Having being responsible for Shang-Chi and the Legend of the Ten Rings, Cretton was experienced in dealing with a visual effects-heavy production while other directors were not as experienced, such as [director] Lucy Liu. “It was never that we are designing specifically for their vision,” Yang remarks. “They were always willing for new ideas and improvements, but key words were passed around here and there. Like any good storytelling, it’s about a feeling that you’re trying to capture. How fast was the waterfall moving and could that contribute to the intense dialogue that the dad and son are having? In my opinion, visual effects are best served when it’s in a supporting role. They’re invisible, or we tap into the magic realism whenever the visual effects need to be front and center because story calls for it.”
Determining the pacing and look of effects such as waterfalls was the desired tone for the scene.
Amongst the creative and technical challenges to produce 1,100 visual effects shots for the eight episodes was the ability of the Monkey King to do as many as 72 transformations, which are dictated by the scenario and where he has to go next. “Just in the script phase, right off the bat you have a falcon changing into a tiger changing into a fish!” Yang notes. “How do we do that? That ultimately becomes the perfect handoff of what was shot practically and just seeing enough of something to whet your appetite. It was kind of a morph that was more into the sparkle-lighting effects realm aided by the sound design. The camera is moving so fast that you’re like, ‘Oh, now it’s going to happen.’ There were so many of those all in the row that was so mesmerizing to watch.”
Among the invisible effects were smartphone screen inserts.
“The first and last episodes were always planned to be visual effects heavy. In Episode 108, we have this intense battle in the sky that we had to somehow make believable. There were so many moving parts, figuring out how to digitally duplicate something that we had practically. I started out as a special effects artist. I will always have a love of getting as much in-camera as possible knowing even if most of it doesn’t appear in the final frame that it’s going to be the coolest reference we’re going to have.”
—Kaitlyn Yang, Visual Effects Supervisor
The glass explosion was achieved practically.
For the opening chase in Episode 101 where a multitude of transformations occur, previs was produced by DigitalFilm Tree that was informed by Stunt Coordinator Peng Zheng. “He and his team shot at their practice ring on iPhones and mobile phones to give us a sense of the camera movement and how one scene stitched with another,” Yang explains. “That helped so many departments to visualize what do we need to do and where the handoff was. I hope that people will love the chase scene as much as we loved putting it together. That sequence, in particular, took the most days, shot count and budget. It was not only a fun sequence but set the tone for the rest of the season. That was one of the first sequences that we shot.” The transformation shots might be described as kung fun magic. “We didn’t do as many as 72 transformations, but perhaps for later seasons! Knock on wood! I grew up with Hong Kong cinema, so I love the types of choreography that you don’t see too much nowadays that have just enough surrealism and magic that ties it together. It’s so fast-moving you can’t look away,” Yang states.
Approximately 1,100 visual effects were created for the eight episodes.
“We took all of the tools in the toolbox and deployed them whenever we saw fit. In Episode 101, we LiDAR-scanned our sets knowing that we had to do extensive set extensions. We worked closely with the art department which had done extensive research and also relied on Gene Luen Yang, the writer of the book with the same name, because he has done extensive research.”
—Kaitlyn Yang, Visual Effects Supervisor
Most of the visual effects were temped by Pixelloid working alongside DigitalFilm Tree, “not necessarily to the degree of the final look that we ultimately settled on, but providing us with a stepping stone to keep improving upon,” Yang notes. “By cut five or six we were able to see some version of the effect already built in. The effects that went through the most iterations were probably for the Heaven episode. That was mainly shot on bluescreen, and we definitely used all of the time on the clock for that one to fine tune the lighting and matte painting. The first and last episodes were always planned to be visual effects heavy. In Episode 108, we have this intense battle in the sky that we had to somehow make believable. There were so many moving parts, figuring out how to digitally duplicate something that we had practically. I started out as a special effects artist. I will always have a love of getting as much in-camera as possible knowing even if most of it doesn’t appear in the final frame that it’s going to be the coolest reference we’re going to have.”
Nothing like having a battle between deities in a high school where teenage angst reigns supreme.
The methodology was devised on a case-by-case basis. “We took all of the tools in the toolbox and deployed them whenever we saw fit,” Yang explains. “In Episode 101, we LiDAR-scanned our sets knowing that we had to do extensive set extensions. We worked closely with the art department which had done extensive research and also relied on Gene Luen Yang, the writer of the book with the same name, because he has done extensive research.” Human Engine ran a portable scanning station on set to assist with the construction of digital doubles. “We had people flying into the sky or walking on water or cliff jumping. Even before wire removal and background replacements, watching the dailies was so cool. We were able to get some CG doubles, but for most of it we had an incredible stunt team that showed their homage to Asian cinema. Hopefully, the audience will be so immersed that everything we put on the screen will be taken as is, because the best compliment for visual effects is not to even know that it was there.”
Watch mesmerizing transformations of the Monkey King in DNEG’s “VFX Breakdown” for American Born Chinese. Click here: https://vimeo.com/844316668
The hardest shot to get right for ILM was encountered when the bag is removed and reveals the de-aged Indiana Jones for the first time.
Receiving the franchise baton from Steven Spielberg (Jaws), James Mangold (Ford v Ferrari) embarks on the fifth and final adventure with a character who made archeology, fedoras and bullwhips cool, and provided Harrison Ford with his third iconic cinematic persona. Joining in the fun and global mayhem that ensues in Indiana Jones and the Dial of Destiny is Oscar-winning VFX Supervisor Andrew Whitehurst (Ex Machina) along with ILM VFX Supervisor Robert Weaver.
An array camera car captured plates for the tuk-tuk chase that occurs on the streets of Morocco, which was handled by Soho VFX.
Much has been made of the opening 25 minutes that resembles lost footage from the making of Raiders of the Lost Ark and features a de-aged Harrison Ford. “We started by looking at archival material and building our CG head and A/B between the two, which was a useful comparison,” states Whitehurst, who was on the project for three years. “Early on we had scanned Harrison Ford, so we had him as he is now, which could also be used for checking proportions. There was never ever a particular shot that we thought, ‘This is the one we’ll use to test.’ We all knew that the bag coming off of the head was going to be the most important shot because it’s the first time you see him, and it was also going to end up in the trailer. That was shot early on, and we got working on it earnestly.”
When de-aging Mads Mikkelsen it was more important that he resembled the character of Jürgen Voller rather than his younger self.
De-aging was accomplished by utilizing ILM FaceSwap. “It’s was a terrifying challenge that I wanted to step into and take on,” Weaver remarks. “Things are always evolving, and we’re good at keeping up and leading development in all areas that are necessary to perfect the techniques. Andrew had a good summary of it by stating it’s an umbrella suite of tools. By adding the machine learning to the mix, it’s contributing yet another tool to the arsenal to accomplish what is needed. We did rely on archival footage from past films, and it helped tremendously in many different ways, but it didn’t replace our previous techniques, which we still need to build a fully CG asset that is believable standing on its own as well. It was necessary to treat each shot individually.”
The World War II prologue features a chase on top of a train with Toby Jones, the only character not de-aged. The chase includes an all-CG shot of Ford running across the train.
FaceSwap is not treated as a magic bullet. “What we have is a selection of tools and the ability to mix between the various outputs of these processes that we can look at and go, ‘We’ll take the eyes from here and some of the skin tone from this,’” Whitehurst notes. “To be able to create like a painter would be in that final likeness, and to maintain that performance. The brilliance of it is having the ability to use a little bit of this and more of that. For another shot it is not working, so you have to use a different combination of approaches.”
The parade sequence, which had Edinbourgh stand in for New York City, was the responsibility of Rising Sun Pictures.
Remarkably, Harrison Ford was still able to fit into the original costume. “The long and short of it is, Harrison is super fit and energetic,” Whitehurst states. “He will act like 40-year-old Harrison for those moments.” Ford has a distinct running style described as a cross between Jack Sparrow and Tom Cruise. “We took a lot of time to study his running in various films, and we had an all-CG shot of him running across the train,” Weaver notes. “Essentially, we had to get those mannerisms into that run while working out the cadence of what is necessary to step over the pipes and jump between cars.”
The prologue was intended to resemble recently-discovered lost footage shot during the making of Raiders of the Lost Ark.
“[De-aging Harrison Ford] was a terrifying challenge that I wanted to step into and take on. … By adding the machine learning to the mix [in ILM’s FaceSwap], it’s contributing yet another tool to the arsenal to accomplish what is needed. We did rely on archival footage from past films, and it helped tremendously in many different ways, but it didn’t replace our previous techniques, which we still need to build a fully CG asset that is believable standing on its own as well. It was necessary to treat each shot individually.”
—Robert Weaver, VFX Supervisor, ILM
The de-aging of Ford was accomplished through machine learning and a variety of techniques known as ILM FaceSwap.
When de-aging Mads Mikkelsen, a different creative choice was made. “Mads as younger man is fuller in the face, which didn’t feel right for the character,” Whitehurst reveals. “When we started looking at how we were going to FaceSwap Mads, we decided not to refer extensively to what Mads actually looked like when he was 30. It was more about figuring out what young Jürgen Voller looked like. That was done with a whole bunch of paint tests. We figured out the look for that, and then were able to roll that through the shots. It’s interesting because young Jürgen Voller kind of looks like young Mads Mikkelsen, but also not – that benefits the character.”
ILM created a fully CG environment for the scenes that take place in Syracuse, Sicily circa 214 B.C..
“It was amazing. We could rotate that plane through multiple axis a great deal, and it was full size. But it could also shake around, so we were inside a lot. The physicality was real. That made it tricky because the camera is shaking in the inside, or the plane shaking against the background that shouldn’t be shaking, but the believability of the motion that you get from the people inside of the plane is worth the pain because it sells it.”
—Andrew Whitehurst, VFX Supervisor
Filmmaker Mangold and frequent cinematographer Phedon Papamichael favor using wide lenses for closeup shots resulting in more of the surrounding environment appearing in the frame. “There are probably more closeups of a 40-year-old Indiana Jones in this movie than there are in all of Indiana Jones and the Last Crusade,” Whitehurst observes. “The important thing was being able to accommodate how they wanted to shoot it. I don’t want anyone to ever feel compromised. If it means pushing in and getting close because narratively and dramatically that is going to have the most impact, we should do that.” Among the action sequences is Indiana Jones trying to outrun a subway train while riding horseback. “For the closeups, the train is CG. We had a beautiful set build at Pinewood of the whole station and a little bit into the tunnel. Then we had a long black tent that extended out so he could ride a horse down [the tunnel], so we were able to shoot the plates. but the train was always going to be CG. The actual tunnel itself is CG as well,” Whitehurst says.
Phoebe Waller-Bridge appears in the aircraft gimbal, which was shot on a bluescreen stage. (Photo: Jonathan Olley)
“We do a lot of dynamic studies and various simulations to see what our perceptions are. A lot times in our work, things that are physically correct are not what we’re looking for, so we need to augment them. But in the case of the airplane and all of the atmospherics, James [Director Mangold] had a clear idea in his mind as to what these atmospheric dynamics should be, and he essentially likened them to a waterfall flowing out into the past. That was our cue to build this massive storm and put the dynamics onto the planes that are believable… It was a fine balance to walk.”
—Robert Weaver, VFX Supervisor, ILM
Ford strikes a classic pose while Cinematographer Phedon Papamichael scouts a set. (Photos: Jonathan Olley)
A signature stunt is Indiana Jones leaping from tuk-tuk to tuk-tuk during the street chase in Tangiers. “That was shot in Morocco,” Whitehurst reveals. “We have a guy in a tuk-tuk who will then jump into the other tuk-tuk. We did a CG takeover of the tuk-tuk that he leapt from and have a CG van colliding into it.” Stunts were a crucial partner. “I’ve worked with Ben Cooke, who was Supervising Stunt Coordinator a couple of times. Dan Bradley is an incredibly experienced second unit director. Once we figured out where we wanted to shoot the tuk-tuk. which was Fez in Morocco, Dan went there. The dialogue needed to happen, so we roughly knew how long the sequence had to be, as well as where we were going in and out of it. But the script didn’t describe specific action beats. Dan walked around Fez and said, ‘We could do this with the tuk-tuks right here.’ On the basis of that, we were able to previs the sequence. We scanned and photographed Fez and the vehicles down the whole route because we knew that there was going to be process back at Pinewood for all of the dialogue between our principals. Because everything was previs, we knew what the angles were going to have to be. We decided to put the edit together as we were shooting the process work so we knew that everything was going to cut together okay. Then it’s a case of paring things down in the edit and refining until we get the completed sequence.”
Frequent collaborators filmmaker James Mangold and Cinematographer Phedon Papamichael enter the world of Indiana Jones together for the first time. From left: Production Designer Adam Stockhausen, Mangold and Papamichael on set. (Photo: Jonathan Olley)
ILM was also responsible for the third act. “There are some fantastic escapades that happen with the airplane going through the eye of the storm and coming into 214 B.C.,” Weaver states. “They did an amazing job on set shooting a partial version of the airplane, and we would add an extended version of that through CG at various times. There were other times where things couldn’t be filmed practically, and it would have to be completely CG, partially airborne and jumping out.” The proper weight of the aircraft had to be conveyed to add to the sense of peril. “We do a lot of dynamic studies and various simulations to see what our perceptions are,” Weaver remarks. “A lot times in our work, things that are physically correct are not what we’re looking for, so we need to augment them. But in the case of the airplane and all of the atmospherics, James had a clear idea in his mind as to what these atmospheric dynamics should be, and he essentially likened them to a waterfall flowing out into the past. That was our cue to build this massive storm and put the dynamics onto the planes that are believable, getting enough wind flex that is believable but doesn’t feel like those wings are going rip off in any minute. It was a fine balance to walk.”
“I always push to get as much as we possibly can in-camera, particularly if it’s something that is interacting with the characters because you get better performance. The physicality is there because it’s real. If you can’t do that, we try to find reference that is as close as we can get to that and then analyze it even for the small things.”
—Andrew Whitehurst, VFX Supervisor
A rig was built for the interior of the plane by the special effects team led by Alistair Williams. “It was amazing,” Whitehurst explains. “We could rotate that plane through multiple axis a great deal, and it was full size. But it could also shake around, so we were inside a lot. The physicality was real. That made it tricky because the camera is shaking in the inside, or the plane shaking against the background that shouldn’t be shaking, but the believability of the motion that you get from the people inside of the plane is worth the pain because it sells it. Then that helps when we cut to the exteriors and have felt this violence, and now we can see that in the wider shots.” Practical elements are essential even when shots become fully CG. “I always push to get as much as we possibly can in-camera, particularly if it’s something that is interacting with the characters because you get better performance. The physicality is there because it’s real. If you can’t do that, we try to find reference that is as close as we can get to that and then analyze it even for the small things. For example, the hanger doors open, we see the bomb for the first time and the engines fire up. One of the things with old airplane V engines is when the propellers start to spin, too much fuel is going into the engine, so it’s not up to speed yet, so you get this big blast of flame that comes out through the exhaust. We did that, and it looks cool as well. It adds that extra flavor and verisimilitude to it that there is a bit more texture,” Whitehurst says.
Cinematographer Phedon Papamichael prepares a driving scene on a bluescreen set. (Photo: Jonathan Olley)
Combining reality and fantasy is a staple of the Indiana Jones franchise, such as having a portal appear in the sky for Indiana Jones and the Dial of Destiny. “Indy films are slightly earthy, grubby-real, but then have an element of the supernatural on top,” Whitehurst observes. “We stylistically absolutely had a precedent in the previous films. One of the things that James and I talked about a lot was a Douglas Trumbull cloud tank, where it’s something that feels physical and real but has an interesting aesthetic quality to it as well. Certainly, we were looking at that when designing the inside of the portal as we fly towards 214 B.C. and when we come out of the other side. We designed something that had an interesting physicality to it so it felt like something that nature might produce. We had these arms wrapping around the horizon as if it was coming to Earth trying to grab [it], with this portal in the center of it. There was an oddness to it. But we were also referencing actual cloud formations and odd storm footage a lot to get the movement and the shapes within that form. There was an overall sculptural design aspect to it that we wanted it to narratively feel like, which was threatening, but also getting that naturalism into it that is very Indy.”
Interestingly, Ford still fits into the original costume and has remained extremely fit. (Photo: Jonathan Olley)
A complete CG environment build was the Sicilian city of Syracuse circa 214 B.C.. “It was down to the level of being able to fly through the streets,” Weaver reveals. “Basically, we wanted to take away any limitations that James may have in telling the story. Wherever he wanted to put the camera, it was going to be completely believable and period appropriate.” In total, 2,350 visual effects shots were created by ILM, Rising Sun Pictures, Important Looking Pirates, Soho VFX, Midas VFX, The Yard VFX and Crafty Apes. “The tricky thing with a movie like this is, there were so many locations and numerous times where every single scene is something new,” Whitehurst states. “Somebody asked me, ‘What was it like to make this?’ It was like doing 12 commercials simultaneously, and a lot of them are very different. That’s the hard part. There is a little action beat towards the end when Helena is on a motorbike chasing Voller. I loved it when we did the previs. I thought it was going to be a fun moment. We shot it with Phoebe Waller-Bridge on a soundstage. She was awesome, and we blasted her with water and wind all day long. Phoebe just did it and completely sold it. Also, there is an awesome shot with Phoebe right under the tail of the plane as it’s bouncing down the runway, and you feel it slam down just next to her. I love that whole beat. It feels exciting, present in the action. The performance is great, and the work is beautiful.”
Watch a featurette on “behind the action” of Indiana Jones and the Dial of Destiny. Click here:
Coming into contact with the Question Boxes enables characters to transform and acquire different superpowers.
Claiming the crown of the top-grossing video-game adaptation of all time is The Super Mario Bros. Movie with a worldwide box office totaling $1.3 billion, which is nearly three times what was earned by second place Warcraft. The overwhelming success was caused by Nintendo partnering with filmmakers Aaron Horvat, Michael Jelenic and Pierre Leduc, screenwriter Matthew Fogel, Illumination Mac Guff and Universal Pictures to produce a story that at times literally pays homage to the source material while also pushing the boundaries of expectations, as demonstrated by the reptilian villain Bowser channeling his inner Ozzy Osbourne and Elton John to sing heartfelt songs dedicated to the unreceptive Princess Peach.
Lumalee is a volumetric character, so classic shading techniques could not be utilized.
In the middle of the zany craziness is Illumination veteran Milò Riccarand, who was the Head of CG on the project and has seen the evolution of effects utilized by the Paris-based animation studio since Despicable Me became a global sensation. “The way we use effects has changed hugely because technology and software has evolved a lot,” Riccarand states. “We have a huge render farm. Directors want something bigger, more realistic and interesting. That’s what I love about it.” When doing simulations in animation, it’s all about achieving the proper balance between plausibility and stylization. “We do a lot of proprietary software and jump at the possibility to do what we need in order to achieve the look that the director wants, whether it be physical or cartoony,” Riccarand says. Sequences were mapped out using storyboards and previs. “We did two passes of previs, one animated and the other with characters. This is because the interaction between the characters, the cast and camera can be tricky, as their relationship with each other needs to be like a dance in order to get a good position.”
By combining detail and stylization, the fur and skin of Donkey Kong appears to be realistic and appealing.
There is no shortage of characters with short legs in The Super Mario Bros. Movie, which stems from respecting the original silhouettes and poses of the original character designs. “To be fair, it’s not just the short legs,” Riccarand remarks. “The legs can be short in one and become long in another one. A principle of animation is squash and stretch. That can come across as being elastic, which is hard on CFX because you want to do something that is physically realistic, so you have to find a way to do that.” Mario transforms whenever he makes contact with Question Boxes, which allow him to acquire various powers. “It’s a joint collaboration between effects, compositing and lighting departments. We are doing a lot of work in Nuke in order to have particles flowing on his face or forming a force field. Numerous layers had to be comped and lit,” Riccarand says.
One of the most complex sequences and environments was executing the cosmic car chase that takes place on the Rainbow Road.
A chase sequence takes place on a prism-colored cosmic transitway. “The Rainbow Road was a complex challenge for us,” Riccarand notes. “The camera had to chase all of the characters, which was difficult technically. The road was a volumetric entity with clouds inside. To make everything look lit [was challenging]. It’s a rainbow, so it’s not something solid. Our render department helped us to sort it out and be able to render that.” Supercharged vehicles add to excitement. “Those were a lot of fun!” Riccarand laughs. “This is not a live-action movie, so we can do what we want with the characters. You get crazy moments with the cars. The Koopa General drives this huge car that takes up all of the road.” The cloud elements assisted in conveying the proper size, scale and speed. “Each shot was set-dressed in order to get the best angle for the camera. We added tiny elements in frame that are going by quickly and cause you to say, ‘They’re going fast.’”
A signature environment is the Mushroom Kingdom that Mario and Princess Peach walk through.
Bowser lives on a volcanic world and resides in Lava Lake Keep. “It was not scary to do because our proprietary software helped us to deal with the smoke,” Riccarand states. “But when it comes to scale and a thousand shots to do, we had to be smart to find a good solution that doesn’t cost too much. You can’t have multiple simulations rendering overnight to have them ready for the day after. The lava had to be stylized to work with the characters in the scene. It was a bit more cartoony, but with realistic lighting.” A staple of video games is to have a world filled with giant mushrooms. Explains Riccarand, “People love that! The Mushroom Kingdom was a nice set to do. There was a lot of modeling and procedural environments in order to do the set extensions. It is something iconic from the game, so the viewer knows what they are looking for; so we needed to pay attention in order to not disappoint them.” Scenes in World Bowser take place at night, while the Mushroom Kingdom action unfolds in the daytime. “Night sequences are easier to hide things with mist and darkness, and you can use high contrast lighting. When you’re outside in sunny daylight, it’s more complex to light the characters in a believable and interesting way.”
While following through with his nefarious plans, Bowser also has a habit of singing love songs dedicated to Princess Peach.
“Those [supercharged vehicles] were a lot of fun! This is not a live-action movie, so we can do what we want with the characters. You get crazy moments with the cars. The Koopa General drives this huge car that takes up all of the road. … Each shot was set-dressed in order to get the best angle for the camera. We added tiny elements in frame that are going by quickly and cause you to say, ‘They’re going fast.’”
—Milò Riccarand, Head of CG/FX Supervisor, Illumination Mac Guff
The simulations for lava had to be stylized to ensure that the environments did not clash with the cartoony character designs.
Some scenes are a direct homage to actual gameplay. “That was fun because the idea was to take something that exists in the game, however, then put it into a more cinematic environment,” remarks Riccarand. “It had to respectful but on a bigger scale.” There was constant feedback from Nintendo, with signature elements like Question Boxes being incorporated into the storytelling. “The Question Boxes are opaque with a little light source inside. They are the same design as Nintendo, but had to have some magic in order to have them fit into the movie.” Something not part of the gaming experience was having Bowser sing in a concert inspired settings and lighting. “That was one of the craziest ideas! It’s like a jazz concert, but him singing to his girl. We have some good key lights and lots of reference from jazz concerts. The idea was to put the character in the light and simply have him singing. One of our co-directors, Pierre Leduc, previously was our animation director on a lot of movies, so his experience helped us in getting the proper silhouettes and poses.”
A lot of fun was had in getting to design, create and execute the various vehicles that could not exist in a live-action movie.
“[The volcanic world of Bowser] was not scary to do because our proprietary software helped us to deal with the smoke. But when it comes to scale and a thousand shots to do, we had to be smart to find a good solution that doesn’t cost too much. You can’t have multiple simulations rendering overnight to have them ready for the day after. The lava had to be stylized to work with the characters in the scene. It was a bit more cartoony, but with realistic lighting.”
—Milò Riccarand, Head of CG/FX Supervisor, Illumination Mac Guff
A scene from the commercial that begins the movie.
Simulations such as the water from the bursting pipes in the bathroom are more driven by comedic rather than realistic timing. “In two frames you can go from no water to a huge splash of water,” Riccarand observes. “It’s interesting because that’s when effects works with animation. It’s a joint venture between the two. Before doing the effects, the animator will say, ‘I would love to have a splash here and there.’ Afterwards, in effects, we try to make that happen.” Talking in an infantile voice and expressing pessimistic views is the imprisoned star known as Lumalee. “It’s a volumetric character, so it’s not the classic shading. This type of character is difficult to animate because it’s a star shape. In the beginning you’d think, ‘I will not be able to do some extreme movements.’ But you absolutely can. In the end credits, Lumalee is playing the saxophone.”
Actual gameplay was incorporated into the storytelling and upgraded with a cinematic sensibility.
“The Mushroom Kingdom was a nice set to do. There was a lot of modeling and procedural environments in order to do the set extensions. It is something iconic from the game, so the viewer knows what they are looking for; so we needed to pay attention in order to not disappoint them.”
—Milò Riccarand, Head of CG/FX Supervisor, Illumination Mac Guff
Nintendo was closely involved with the production to ensure that aesthetic of the video game was maintained.
Grooming for the moustaches of the Mario Bros. and Donkey Kong was achieved through proprietary software. “Donkey Kong has numerous layers of fur,” Riccarand explains. “It has to have a lot of detail to feel real, but it doesn’t need to be realistic. There is a closeup shot of the hand of Donkey Kong, and you see one of his fingers at a huge scale. I couldn’t do the skin realistically, as it needs to be pleasant to look at. We did a lot of tests to produce something that looks real and that has good subsurface scattering, but the texture and painting of it is appealing.” Plenty of destruction occurs in the finale battle that unfolds in Brooklyn. “FX Supervisor Simon Pate drove this sequence. You have the superpowers of the characters plus various simulations everywhere, like smoke and dust. You want to do things that are not too scary but good to see and impressive. It can be hard to do a battle like that in the daytime, but the lighting helps a lot.” Advancements were made in the area of compositing. Riccarand notes, “We did a lot of new work on lens aberrations, and the in-house renderer has been greatly improved because with each movie we want to render more and more. Technology gets better, and people ask for more! But that’s what makes this type of job interesting. You’re always trying to find the best and new ways to do things.”
Lead Animator and Key Stop Motion Animator Laurie Sitzia animates the interaction between Anni and Kalina during the tunnel sequence.
If you want to see the global talent practicing the art of storytelling through animation, the recent trend towards anthologies appearing on the streaming services such as Netflix and Disney+ are providing the platform for viewers to do so. After using a series of nine anime shorts to showcase the influence of Japanese cinema on George Lucas and the Star Wars universe, Lucasfilm has expanded the worldview for Star Wars: Visions Volume 2 to include U.K. stop-motion maestros Aardman for I Am Your Mother. The tongue-in-cheek story, directed by Magdalena Osinska, cleverly shifts the dysfunctional volatile father-son dynamic to a nurturing mother-daughter class conflict and transforms a beloved supporting character into a self-promoting salesman.
One of the most difficult physical actions to pull off was getting the puppets to hug each other in a believable manner.
“The theme of family is something I love to explore in my work, and a lot of the characters in ‘I Am Your Mother’ are inspired by people I’m familiar with, so this largely informed the visual aesthetic,” Osinska explains. “I intentionally wanted the main characters to be alien, as that was inspired by my arrival in the U.K. as a Polish national. I was an alien, so our characters are literally aliens! In terms of animation, I was keen for a female animator to develop these mother-daughter relationships. Our lead animator, Laurie Sitzia, developed and tested Anni and Kalina. We had in-depth conversations with Laurie about mother-daughter relationships, about Anni and Kalina’s background, motivations and emotions throughout the film. We talked about the closeness and warmth of their relationship, but also that relatable feeling of being embarrassed by your parents, and being able to show these layers of feelings through the puppet’s performance.”
As for the visual language, it was important to retain a warmth between Anni and Kalina despite the rising tension between them. “Such subtle emotional shifts needed to be evident, and I worked hard to put them into the finer nuanced details of their facial expressions,” states Laurie Sitzia, Lead Animator and Key Stop Motion Animator. “This was especially important in the cockpit sequence where we watch Anni’s frustrations escalate until she reaches boiling point with an outburst that shocks and hurts her mother. She immediately regrets it but can’t take it back. Kalina contains her hurt to protect her daughter, but we still needed to see a glimpse of it.”
Concept design of the spacetug, which serves both as a home and spacecraft for Anni and Kalina.
“I was keen for a female animator to develop these mother-daughter relationships. Our lead animator, Laurie Sitzia, developed and tested Anni and Kalina. We had in-depth conversations with Laurie about mother-daughter relationships, about Anni and Kalina’s background, motivations and emotions throughout the film. We talked about the closeness and warmth of their relationship, but also that relatable feeling of being embarrassed by your parents, and being able to show these layers of feelings through the puppet’s performance.”
—Magdalena Osinska, Director
Director Magdalena Osinska prepares the spacetug for the complex tunnel shot that occurs during the race.
Reflecting how the relationship evolves between Anni and Kalina are the book-ending hugs. “Hitting the perfect pose in a hug in stop-motion is always a challenge and much harder than it looks. Puppets don’t usually fit together very easily. You’d never know it, but Anni’s head is actually cheated forward and is floating on a rig about 10mm forward of Kalina’s face for the last few frames of their final pose. It was the only way to get their tilted heads to look like they were making contact with each other. The rig had to be cheated in mid-shot, quite a fiddly operation,” Sitzia says.
Lead Animator and Key Stop Motion Animator Laurie Sitzia found it important to display subtle emotional shifts to reflect the evolution of the mother-daughter relationship between Kalina and Anni.
There cannot be any Star Wars story without droids, and the faithful malfunctioning companion Z1 displays the characteristics of an accordion-expanding sausage dog. “[Animation Director] Steve Cox developed and 3D printed the prototype for Z1 himself. As a huge Star Wars fan, he was keen to ensure that the final puppet would feel totally in keeping with the other astromechs, and Z1 really does,” Sitzia notes. “He was fun to animate, too, with elements like the ears and legs folding in/out and the slinky body allowing for playful dips and dog-like movement while still retaining a very droid-like quality. Z1 could also stretch out long which worked so well for his fall from the table in the opening sequence and later on when he is swinging from the spacetug. His head tilt also gave him that inquisitive dog-like expression. I remember multiple pipes and tubes being ordered in a search for the perfect part to create his concertina mid-section, as making this from scratch would have been really tricky. It was quite a process to find the right thing, and Steve tells me it ended up being a motorbike shock absorber cover that with a few tweaks worked out perfectly!”
“Hitting the perfect pose in a hug in stop-motion is always a challenge and much harder than it looks. Puppets don’t usually fit together very easily. You’d never know it, but Anni’s head is actually cheated forward and is floating on a rig about 10mm forward of Kalina’s face for the last few frames of their final pose. It was the only way to get their tilted heads to look like they were making contact with each other. The rig had to be cheated in mid-shot, quite a fiddly operation.”
—Laurie Sitzia, Lead Animator and Key Stop Motion Animator
Color keys used to map out the various sequences.
“We used ZBrush for modeling and Maya for modeling and animation,” Osinska remarks, “Nuke for compositing and face tracking, Houdini for rendering. And I’ve been told by Signe Tveitan, our wonderful 3D modeler, that we used Karma and Solaris to calculate how the light interacts with the surface.” Fun was had with the visual effects. “I was keen for the look of the spaceships thrusters to be quite stylized and a mixture between 2D and 3D visual effect, a little bit comic, like Scott Pilgrim vs. the World,” Osinska says. “[Production Designer] Aurélien Predal created very cool 2D shapes for each ship that also reflected the character of their drivers. It was an interesting challenge to then translate it into 3D, and we actually spent quite a bit of time on it to find that perfect look. The other visual effects were screens and holograms. We played with the visibility, color, lines, static, to make it work for our film and also within the Star Wars universe. Besides that, there were fireworks and lots of other atmospheres that made everything sit nicely together.” The set of city and school building were constructed entirely in 3D. “Usually, the foreground is physical, but the rest would be CG. Lighting the 3D parts played a huge role in bringing together these two techniques; this actually goes both for the sets in general but also the mouths, and our Lighting Lead, Tessa Mapp. did an amazing job on it. A big bow to our CG and VFX Supervisors, Ben Toogood and Bram Ttwheam, who married the stop-motion with CG so beautifully,” Osinska says.
The main character lineup as conceptualized by Félicie Haymoz. From left to right: Z1, Kalina Kalfus, Annisoukaline ‘Anni’ Kalfus, Dorota Van Reeple and Julan Van Reeple.
“[Animation Director] Steve Cox developed and 3D printed the prototype for Z1 himself. As a huge Star Wars fan, he was keen to ensure that the final puppet would feel totally in keeping with the other astromechs, and Z1 really does,” Sitzia notes. “He was fun to animate, too, with elements like the ears and legs folding in/out and the slinky body allowing for playful dips and dog-like movement while still retaining a very droid-like quality.”
—Laurie Sitzia, Lead Animator and Key Stop Motion Animator
One of the visual effects that had to be produced was a hologram of Wedge Antilles in the opening shot.
Appearing on screens throughout the city promoting the family pilot race and his own merchandise is Rebel Alliance X-wing pilot Wedge Antilles, actually voiced by the original live-action actor, Denis Lawson. “Anni and her mum come from a planet very very far away, from an unprivileged place, but Anni is an extremely talented pilot, the first one from her planet to be accepted to the prestigious Hanna City Flight Academy,” Osinska states. “Her mum taught her piloting skills, for example, the Ryloth Roll maneuver, which then helps Anni win the race, but Anni doesn’t value it when we meet her at the beginning of the story. Instead, naturally, she is looking up to well-known heroes like Wedge Antilles. It was an absolute pleasure to work with Denis Lawson, and it didn’t take much convincing at all to play a slightly lighthearted and fun version of his character.” There is no shortage of Easter eggs, such as Jawa causing technological havoc in the opening. “I love the Jawa, too! They actually appear one more time in the film, at the Academy Fair by a stall selling things ‘Touched by Luke Skywalker.’ The Jawa tries to steal Luke’s lightsaber just before we see another hand [Maz Kanata] grabbing it first. We wanted to put fans’ worries to bed by solving the big mystery of how Maz Kanata took possession of Luke’s lightsaber in The Force Awakens!”
Figuring out the key poses for the Anni puppet.
“It is really hard to choose one sequence as I loved each one of them, but if I must I’d choose the tunnel scene after Anni and Kalina crash, both the exterior and interior,” Osinska remarks. “The reason being that it was quite challenging, and there was lots of problem-solving, which is what I love about stop-motion. The tunnel we built was only four meters long, but we needed to make it feel as if it’s going for hundred of meters. DP Tristan Oliver, along with Motion Control Operator Adam Cook and Art Director Andy Brown, figured out a way of detaching the panels that are off-camera and moving them forward in front of the spaceship to achieve the feeling that it’s a very long tunnel with forks and turns. The precision of collaboration between the camera and set department was faultless!”
“I love the Jawa, too! They actually appear one more time in the film, at the Academy Fair by a stall selling things ‘Touched by Luke Skywalker.’ The Jawa tries to steal Luke’s lightsaber just before we see another hand [Maz Kanata] grabbing it first. We wanted to put fans’ worries to bed by solving the big mystery of how Maz Kanata took possession of Luke’s lightsaber in The Force Awakens!”
—Magdalena Osinska, Director
There is no shortage of Easter eggs that can be found in each frame. If you look closely enough, you will see Luke Skywalker’s lightsaber.
VES Members and Their Guests are Invited to an Opening Weekend Screening of 20th Century Studios’ THE CREATOR followed by a Live Interactive Q&A with the Filmmakers
Panelists will include Director Gareth Edwards, Visual Effects Supervisor Jay Cooper and On-Set Visual Effects Supervisor Andrew Roberts, moderated by VES Board Treasurer Jeffrey A. Okun, VES. (All panelists’ participation based on availability.)
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESCREATOR, in your tweet.)Due to studio security, all guest names must be entered in order to get onto the lot.
Masks or face coverings are encouraged, but not mandatory. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to RSVP)
Saturday, September 30, 2023 at 11:00AM (There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of 20th Century Studios’ A HAUNTING IN VENICE
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Thursday, September 21, 2023 at 6:45PM (RSVPs close at 10:00AM on Thursday, September 21) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ THE NUN II
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, September 20, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, September 20) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ THE EQUALIZER 3
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, September 13, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, September 13) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Sony Pictures’ GRAN TURISMO
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, August 30, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, August 30) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of MGM Studios’ LANDSCAPE WITH INVISIBLE HAND
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, August 23, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, August 23) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
Enjoy the summer vibes at our next VES Pub Night on August 22nd at Brewhall, sponsored by Annex Pro, Wacom Canada, and Autodesk
Wacom will display their latest CINTIQ Tablet at the event, and it will be an evening filled with fabulous drinks, appetizers and mingling with industry professionals.
VES Members get their first drink ticket free! RSVP now for a night of innovation and networking that you won’t want to miss!
VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ TEENAGE MUTANT NINJA TURTLES – MUTANT MAYHEM
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Thursday, August 10, 2023 at 6:45PM (RSVPs close at 10:00AM on Thursday, August 10) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ HAUNTED MANSION
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, August 9, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, August 9) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ BARBIE
Sony Pictures Imageworks requires that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP Below (VES members must login in order to sign up)
Wednesday, August 2, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, August 2) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES members please register your name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Universal Pictures’ OPPENHEIMER
Sony Pictures Imageworks requires that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP Below (VES members must login in order to sign up)
Wednesday, July 26, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, July 26) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES members please register your name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Vancouver is ecstatic to announce an extraordinary, one-of-a-kind education event hosted by Pixel Light Effects
Pixel Light Effects has been providing 3D scanning services in the Greater Vancouver Area since 2014 and specialize in the digital capture of people, objects & environments.
We delve into the exciting realms of 3D scanning, Take a tour around the mobile scanning truck equipped with the multi-cameras rig and get into the Real Human to Metahuman Photogrammetry Workflows. This event marks a unique blend of learning and innovation not to be missed!
This offer is for VES members only, and space is limited so book now!
VES Vancouver are partnering with Fred Chapman to offer free monthly leadership webinars, suitable for everyone from aspiring to long established leaders.
The first webinar is happening Thursday July 20th at 8am Pacific, titled “The 8 Rules of Creative Leadership”. Places are limited, and VES Vancouver members get advance notice (hint, this is it!). Sign up now to secure your place.
VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ MISSION: IMPOSSIBLE – DEAD RECKONING PART 1
Sony Pictures Imageworks requires that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Click here to RSVP
Wednesday, July 19, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, July 19) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Vancouver and Mr Wolf would like to invite you to join us on Saturday July 15th from Noon until 4.00pm at The Beaumont Studios outdoor courtyard, 316 W 5th Ave for a family BBQ!
Enjoy a complimentary BBQ Catered by Whiskey Six BBQ, Face Painting, Games and mingling with your industry colleagues and their families.
VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ INDIANA JONES AND THE DIAL OF DESTINY
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, July 5, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, July 5) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ THE FLASH
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, June 28, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, June 28) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Thier Guests are Invited to a Screening of Paramount Pictures’ TRANSFORMERS: RISE OF THE BEASTS
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, June 14, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, June 14) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening of Sony Pictures’ SPIDER-MAN: ACROSS THE SPIDER-VERSE
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, June 7, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, June 7) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening of Walt Disney Pictures’ THE LITTLE MERMAID
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, May 31, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, May 31) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening of Universal Pictures’ FAST X
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, May 24, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, May 24) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening ofSony Pictures’ KNIGHTS OF THE ZODIAC
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list. Masks are encouraged, but not required. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to sign up)
Wednesday, May 17, 2023 at 6:45PM (RSVPs close at 10:00AM on Thursday, May 17) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and up to Four (4) Guests are Invited to a 3D Opening Weekend Screening of Marvel Studios’ and Walt Disney Pictures’ GUARDIANS OF THE GALAXY, VOL. 3 followed by a live interactive Q&A with the Filmmakers
Panelists will include Visual Effects Supervisor Stephane Ceretti and Sony Pictures Imageworks Visual Effects Supervisor Theo Bialek, moderated by Van Ling, VES. (All panelists’ participation based on availability.) Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESGUARDIANS3, in your tweet.)
Masks or face coverings are encouraged, but not mandatory. Please observe social distancing whenever possible.
Please RSVP below (VES members must login to RSVP)
Sunday, May 7, 2023 at 11:00AM (There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening ofSony Pictures’ BIG GEORGE FOREMAN: THE MIRACULOUS STORY OF THE ONCE AND FUTURE HEAVYWEIGHT CHAMPION OF THE WORLD
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Thursday, May 4, 2023 at 6:45PM (RSVPs close at 10:00AM on Thursday, May 4) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening of Columbia Pictures’ THE POPE’S EXORCIST
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Thursday, April 20, 2023 at 6:45PM (RSVPs close at 10:00AM on Thursday, April 20) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening of Universal Pictures’ RENFIELD
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, April 19, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, April 19) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to Three (3) Guests are Invited to a Screening of Universal Pictures’ and Illumination Entertainment’s THE SUPER MARIO BROS. MOVIE
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Thursday, April 13, 2023 at 6:45PM (RSVPs close at 10:00AM on Thursday, April 13) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to two (2) Guests are Invited to a Screening of Paramount Pictures’ DUNGEONS & DRAGONS: HONOR AMONG THIEVES
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, April 12, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, April 12) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to three (3) Guests are Invited to a Screening of Lionsgate’s JOHN WICK: CHAPTER 4
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, March 29, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, March 29) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Vancouver are delighted to offer you the opportunity to attend a 3 hour webinar training session which is normally $235.00 per person to our members ABSOLUTELY FREE on Saturday March 25th 2023 from 9am until Noon PST!
Space is limited to 12 people, and it will be on a first come basis.
You are invited to our first VES Pub Night of 2023 Sponsored by Framestore! Join us at Brewhall on March 7th at 6:30PM for some appetizers, drinks, and great company!
All are welcome, but VES Members get their first drink free.
VES Members and Up to three (3) Guests are Invited to a Screening of Universal Studios’ COCAINE BEAR
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, March 1, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, March 1) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to three (3) Guests are Invited to a Screening of Marvel Studios’ and Walt Disney Pictures’ ANT-MAN AND THE WASP: QUANTUMANIA
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, February 22, 2023 at 6:45PM (RSVPs close at 10:00AM on Wednesday, February 22) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and One (1) Guest are Invited to an Opening Weekend 3D HFR Screening of Walt Disney Pictures’ and 20th Century Studios’ AVATAR: THE WAY OF WATER followed by a live interactive Q&A with the Filmmakers
Masks or face coverings are recommended, but not required. Please observe social distancing whenever possible.
Panelists will include VES Lifetime Achievement Award-winning Director-Writer-Producer-Editor James Cameron, Oscar winning Producer Jon Landau, Executive Producer, VES Award-winning Visual Effects Supervisor at Wētā FX Richard Baneham, VES Georges Méliès Award-winning Senior Visual Effects Supervisor at Wētā FX JoeLetteri, VES, Wētā Visual Effects Producer Lena Scanlan, VES Award-winning Head of FX at Wētā FX JohnathanNixon and VES Award-winning Animation Supervisor at Wētā FX Eric Reynolds, moderated by VES Chair Lisa Cooke. (All panelists’ participation based on availability.)
VES Members and Up to four (4) Guests are Invited to a Screening of Sony Pictures’ DEVOTION
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Thursday, December 8, 2022 at 6:45PM (RSVPs close at 10:00AM on Wednesday, December 7) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
It is the most wonderful time of the year…… The VES Vancouver Board is so excited to host our Holiday party at Commodore Lanes this year! Join us for some pizza, drinks, prizes, and some friendly competition at the bowling alley!
Plus ones are welcome but please note, there is very limited availability so please RVSP ASAP.
We can’t wait to see you all there.
Please RSVP below.
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
By signing up for this on-site, in-person event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Their Guests are Invited to a Screening of Searchlight Pictures’ THE MENU
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Thursday, December 1, 2022 at 6:45PM (RSVPs close at 10:00AM on Thursday, December 1) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to four (4) Guests are Invited to a Screening of Walt Disney Animation Studios’ STRANGE WORLD
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, November 30, 2022 at 6:45PM (RSVPs close at 10:00AM on Wednesday, November 30) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
You are invited to our November VES Pub Night sponsored by DNEG! The VES Vancouver Board organizes Pub Nights monthly, and the next event is on Nov 29th at Brewhall. Come enjoy some drinks, canapes and great company!
Pub Nights are open to VES members and non members. VES Members receive their first drink on us.
VES Members and Up to four (4) Guests are Invited to a Screening of Warner Bros. Pictures’ BLACK ADAM
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, November 23, 2022 at 6:45PM (RSVPs close at 10:00AM on Wednesday, November 23) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to four (4) Guests are Invited to a Screening of Walt Disney Pictures’ and Marvel Studios’ BLACK PANTHER: WAKANDA FOREVER
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, November 16, 2022 at 6:45PM (RSVPs close at 10:00AM on Wednesday, November 16) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to four (4) Guests are Invited to a Screening of Warner Bros. Pictures’ BLACK ADAM
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, November 9, 2022 at 6:45PM (RSVPs close at 10:00AM on Wednesday, November 9) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
We’d like to offer a limited number of Festival Passes to SPARK ANIMATION 2022 FREE to VES Vancouver members who would like to attend … normally $30 but FREE for you.
VES Members and Up to four (4) Guests are Invited to a Screening of Universal Pictures’ TICKET TO PARADISE
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, October 26, 2022 at 6:30PM (RSVPs close at 10:00AM on Wednesday, October 26) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to four (4) Guests are Invited to a Screening of Universal Pictures’ HALLOWEEN ENDS
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, October 19, 2022 at 6:30PM (RSVPs close at 10:00AM on Wednesday, October 19) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to four (4) Guests are Invited to a Screening of Warner Bros. Pictures’ DON’T WORRY DARLING
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, September 28, 2022 at 6:30PM (RSVPs close at 10:00AM on Wednesday, September 28) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to four (4) Guests are Invited to a Screening of VVS Films’ MEDIEVAL
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Thursday, September 22, 2022 at 6:30PM (RSVPs close at 10:00AM on Thursday, September 22) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to four (4) Guests are Invited to a Screening of 20th Century Studios’ BARBARIAN
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, September 21, 2022 at 6:30PM (RSVPs close at 10:00AM on Wednesday, September 21) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
Pixomondo (“PXO”) and William F White Int’l (“WFW”), with the support of the Directors Guild of Canada BC, and Virtual Production Academy are excited to invite you to an open house demonstration of the world’s largest Virtual Production LED Volume at Canadian Motion Picture Park.
PXO’s Virtual Production Producers, Supervisors, and Operating Team will offer a one-hour guided tour comprised of a full operational demonstration, and answer any questions regarding Virtual Production, the tech behind it, and how it’s used it to bring to life such shows as Star Trek: Discovery, Strange New Worlds, and the upcoming Avatar: The Last Airbender.
Join PXO and WFW between Sept. 20 – 24 for their first ever VP open house in Vancouver and get a rare opportunity to experience firsthand Vancouver’s leading Virtual Production LED Stage. Reserve your time slot below. Space is limited.
VES Members and Up to three (3) Guests are Invited to a Screening of Universal Pictures’ BEAST
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, August 24, 2022 at 6:30PM (RSVPs close at 10:00AM on Wendesday, August 24) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to three (3) Guests are Invited to a Screening of Sony Pictures’ BULLET TRAIN
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Thursday, August 11, 2022 at 6:30PM (RSVPs close at 10:00AM on Thursday, August 11) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
Join VES Vancouver at the Best SIGGRAPH Party on the Waterfront supported by
VES Members and one (1) guest are invited to attend.
Please RSVP below (VES members must login to register.) Wednesday, August 10, 2022 at 6:00PM
Mahony’s Tavern (Convention Centre)
1055 Canada Pl #36, Vancouver, BC V6C 0C3
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Events are overbooked to compensate for no-shows. An RSVP does not guarantee entry.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
A limited number of VES members receive complimentary Event level registration or $150 off higher registration levels for SIGGRAPH 2022. Please register only if you plan to attend SIGGRAPH 2022 in-person in Vancouver, BC. There will be no refunds for prior purchases, quantity is limited, and VES members must login in order to see the discount code below.
The SIGGRAPH community has a unique story and skillset that diversifies, enhances, and transforms our industry. SIGGRAPH 2022 is committed to celebrating these perspectives by supporting diversity and inclusion and elevating all voices through their content and experiences. Both in person in Vancouver and in their virtual venue, they offer an experience designed with you in mind, where every detail reflects their collective pursuit of excellence.
Event level registration includes Appy Hour, Art Gallery, Educator’s Day, Emerging Technologies, Exhibition, Exhibitor Sessions, Experience Presentations, Frontiers Talks & Workshops, Immersive Pavilion, Job Fair, Labs, Posters and Poster Sessions.
VES Members and Up to three (3) Guests are Invited to a Screening of Universal Pictures’ NOPE
Sony Pictures Imageworks safety guidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, July 27, 2022 at 6:30PM (RSVPs close at 10:00AM on Wednesday, July 27) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to three (3) Guests are Invited to a Screening of Sony Pictures’ WHERE THE CRAWDADS SING
Sony Pictures Imageworks safety quidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
Please RSVP below (VES members must login to sign up)
Wednesday, July 20, 2022 at 7:00PM (RSVPs close at 10:00AM on Wednesday, July 20) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
VES Members and Up to three (3) Guests are Invited to a Screening of Walt Disney Pictures’ and Marvel Studios’ THOR: LOVE AND THUNDER
Sony Pictures Imageworks safety quidelines require that all VES members and guests must show photo ID that matches their names on the RSVP list and all attendees must wear masks at all times indoors.
RSVPs are closed
Wednesday, July 13, 2022 at 7:00PM (RSVPs close at 10:00AM on Wednesday, July 13) Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
Now that we can socialize again, we are making the most of it!
VES Vancouver are hosting a Here Comes Summer BBQ event at Beaumont Studios on June 18th and members and their families are all welcome – we’ll be catering for the young ones too.
Start time Noon until 4.00pm
Please RSVP below (VES members must login to sign up.)
***VES Members: Please enter your first and last name in the “Attendee 1″ fields***
We invite you to join us for a VES Vancouver Trivia Night on March 3, 2022, at 7PM!
Test your film knowledge, mingle with other VES Vancouver Sector Members, and have a chance at winning some great prizes. All VES Vancouver members can bring 2 guests, so be sure to tell your friends!
This event will be held via Zoom. A link will be provided prior to the event so keep an eye on your inbox!
When logging into Zoom for the event, please set your display name to your first and last name so the host can quickly identify you. Please include any guests that are joining you in person as part of your display name. See here for instructions on how to change your display name.
Never participated in trivia remotely before? Not a problem! Our trivia host will provide all the info and direction you need on before the event and if you have any questions, you’ll have the opportunity to ask.
PLEASE NOTE: In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
By signing up for this on-site, in-person event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
Following BC healthcare requirements, all attendees will be required to show proof of vaccination and a valid government ID at the door.
VES Members and a Guest are Invited to a Screening of Warner Bros. Pictures’ DUNE. Proof of vaccination against COVID-19, photo ID required for admission and masks must be worn at all times (except while actively enjoying concessions).
Click here to RSVP
Monday, November 1, 2021 at 7:00PM Scotiabank Vancouver
900 Burrard St, Vancouver, BC V6Z 3G5
All groups must comply with local and provincial public health directives regarding COVID-19, including without limitation masking and vaccine passport rules in effect on the day of the event.
o Masking is required at all times except when eating or drinking.
o Proof of vaccination required upon entry – guests should have their QR Code/App and matching government ID ready.
In an effort to prevent the spread of COVID-19, we ask that you or your guests do not attend VES events if you are experiencing any symptoms or if you have been exposed to the virus.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
By signing up for this on-site, in-person screening/event sponsored by VES (Visual Effects Society), you willingly accept any potential inherent risks associated with COVID-19. VES cannot be held liable from any consequences that may transpire from said risk. Therefore, signing up for this screening/event infers implied consent of yourself and your party and hereby indemnifies and holds harmless VES, its directors, its employees and any other affiliated persons from any adverse medical or financial impact that may result from our participation.
You’re invited to the VES Vancouver Virtual Trivia Night
DATE: Thursday, June 3rd
TIME: 7:00 pm PDT
PLACE: Zoom of Course!
Never participated in trivia remotely before? Not a problem! Our trivia host will provide all the info and direction you need on before the event and if you have any questions, you’ll have the opportunity to ask.
This event will be held via Zoom. A link will be provided prior to the event so keep an eye on your inbox!
When logging into Zoom for the event, please set your display name to your first and last name so the host can quickly identify you. Please include any guests that are joining you in person as part of your display name. See here for instructions on how to change your display name.
This event will be held via Zoom. A link will be provided prior to the event so keep an eye on your inbox!
When logging into Zoom for the event, please set your display name to your first and last name so the host can quickly identify you. Please include any guests that are joining you in person as part of your display name. See here for instructions on how to change your display name.
Never participated in trivia remotely before? Not a problem! Our trivia host will provide all the info and direction you need on before the event and if you have any questions, you’ll have the opportunity to ask.
When: Fri Oct 30, 2020 08:00am to 05:00pm PDT
The Festival Has Begun!
October 29 – November 8!
VES Vancouver members can still get their free pass
(payed for by your VES section)!
Message vesvantreasurer@gmail.com
Van VES members only
1 ticket per member
Include name and member #
This Annex Pro-hosted live 1-hour webinar is designed especially for VES-Vancouver Section members featuring Scott Eade, a Technical Specialist with Autodesk’s Media and Entertainment division.
VES-Vancouver Section has generously allowed non-members to register and attend this special webinar.
Thursday, Oct 15, 2020 12:00 PM – 1:00 PM (PDT) Via Zoom
About the Webinar:
There is a growing buzz around Bifrost for Maya, and you might be wondering, what is it? Is it new? Aren’t there already tools out there that do the same thing?
Bifrost Extension is different from the Bifrost fluids simulator that has been in Maya for some years, it’s a new visual programming graph that expands the capabilities of what is possible for Maya users. It’s a completely separate downloadable plugin with separate beta program and development that can automate simple to complex processes without the need for coding. Its procedural framework can be repeated or duplicated based on specific rules, the procedural graphs are portable and can be shared very simply in large teams.
In this webinar, you will be presented with an overview of Bifrost and its procedural framework, showcase what is possible in the latest release, and learn where Bifrost can assist in speeding up the creative process overall.
Agenda:
Opening and introduction – 10 minutes
Formal presentation – 40 minutes
Q+A session – 10 minutes
Wrap up at 1 PM PT
Spaces are limited, register today, and feel free to share with industry friends
Bay Area, Washington, Vancouver and Los Angeles Sections present:
West Coast Happy Hour Wednesday, August 26th
6:00-7:00pm (PST – Of Course!)
It’s time for all of the VES’ West Coast Members to step up and mingle:
* Have a great recipe to share?
* Recommendation on new shows to binge?
* Who has the cutest cat, doggie or turtle?
Prizes too! Have a chance to WIN a copy of the newly released third edition of the VES Handbook of Visual Effects: Industry Standard VFX Practices and Procedures!
To join THIS party, use Chrome desktop browser (with the Netflix Party extension installed) and click on the party URL above, which will redirect to Netflix’s website. You must click on the “NP” button next to the address bar to automatically join the party. The Chat will start around 7:00 pm with screening to begin @ 7:10 pm.
FINE PRINT: NETFLIX SUBSCRIPTION REQUIRED TO PARTICIPATE. DON’T HAVE AN ACCOUNT? SIGN UP AT NETFLIX.COM FOR A FREE 30 DAY SUBSCRIPTION. NETFLIX PARTY CHROME EXTENSION REQUIRED TO BE INSTALLED. THIS IS AN UNMODERATED EVENT. PLEASE BE KIND TO ONE ANOTHER.
You are invited to our first-ever, VES Netflix Party where you choose the movie – Click here to vote for the movie!
Then on Wednesday, June 17 at 7:30 PM we will watch the winning movie together and join an online chat with our fellow west coast VES colleagues from the Bay Area, Los Angeles, Vancouver and Washington Sections.
Look for your Netflix Party url email invitation and on this page one hour before showtime where you’ll find out the winning movie when you log in.
Fine Print: Netflix subscription required to participate. Don’t have an account? Sign up at Netflix.com for a FREE 30 day subscription. You will receive an email invite with a private URL one hour prior to the screening. Netflix Party Chrome Extension required to be installed. Instructions will be included with your invitation. This is an unmoderated event. Please be kind to one another.
VES members are invited to join online for the new ACM SIGGRAPH Webinar series on Thursday, May 21 at 2:00 PM (EDT). The panel is about challenges of working from home in VFX.
The VES Vancouver Screening of Paramount Pictures’A QUIET PLACE PART II has been cancelled because the studio has postponed the release due to concerns related to the COVID19 outbreak.
The VES Vancouver Screening of Sony Pictures’BLOODSHOT has been cancelled because the studio has postponed the release due to concerns related to the COVID19 outbreak.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’THE WAY BACK
In an effort to prevent the spread of COVID19, we ask you or your guests who may show any symptoms or who might have been exposed to the virus do not attend VES events.
Please RSVP below (VES members must login to RSVP and see venue information) Tuesday, March 10, 2020 at 7:00PM
Now that the 18th Annual VES Awards season is underway, we once again invite VES members to participate in our Nomination Panels. The Nomination Event will be held worldwide on January 4, 2020.
Any active VES member who can travel to one of the cities listed below may participate.
This is your chance to determine who will ultimately walk up to the podium on January 29, 2020, to collect a coveted VES Award. A single vote may make the difference between being nominated… or not… and that vote could be yours!
Past participants know that this is the must-attend event of the awards season. Not only will you view some of the most amazing visual imagery of 2019, you’ll get to see exclusive behind-the-scenes footage while participating in the single best networking opportunity of the year. It’s a chance to see old friends, meet the best and brightest in the visual effects field, and learn new techniques that you can apply to your own craft. All of that, plus the satisfaction of knowing that you have participated in choosing what will ultimately be the Nominations announced to the press for the 18th Annual VES Awards.
Judges who register to participate will receive information about specific times and locations from their local section representatives once their applications are received. If you are ready to make a difference, please submit your Panel Judge Application BELOW. Make sure you check the box indicating which of the Nomination Event locations you are applying for.
The Nomination Event is a full-day event held on Saturday, January 4, 2020 around the globe. Nominees will be announced on Monday, January 6, 2020. We look forward to receiving your Judge Application to make this year’s Nomination Event a success!
Now that the 18th Annual VES Awards season is underway, we once again invite VES members to participate in our Nomination Panels. The Nomination Event will be held worldwide on January 4, 2020.
Any active VES member who can travel to one of the cities listed below may participate.
This is your chance to determine who will ultimately walk up to the podium on January 29, 2020, to collect a coveted VES Award. A single vote may make the difference between being nominated… or not… and that vote could be yours!
Past participants know that this is the must-attend event of the awards season. Not only will you view some of the most amazing visual imagery of 2019, you’ll get to see exclusive behind-the-scenes footage while participating in the single best networking opportunity of the year. It’s a chance to see old friends, meet the best and brightest in the visual effects field, and learn new techniques that you can apply to your own craft. All of that, plus the satisfaction of knowing that you have participated in choosing what will ultimately be the Nominations announced to the press for the 18th Annual VES Awards.
Judges who register to participate will receive information about specific times and locations from their local section representatives once their applications are received. If you are ready to make a difference, please submit your Panel Judge Application here. Make sure you check the box indicating which of the Nomination Event locations you are applying for.
The Nomination Event will be held on Saturday, January 4. 2020 around the globe. In Vancouver the event will be held at a local facility from 8.30 am ( Judges breakfast ) to around 2 pm.
Nominees will be announced on Monday, January 6, 2020. We look forward to receiving your Judge Application to make this year’s Nomination Event a success!
VES Members and Their Guests are Invited to a 3D Screening of Walt Disney Pictures’ and Lucasfilm’s STAR WARS: THE RISE OF SKYWALKER followed by a live interactive Q&A with the Filmmakers.
Panelists will include Director J.J. Abrams as well as Visual Effects Supervisors Roger Guyett and Patrick Tubach, moderated by VES 1st Vice Chair Jeffrey A. Okun, VES. (All panelists’ participation based on availability.)
Please RSVP below (VES members must login to RSVP and see venue information) Saturday, December 21, 2019 at 11:00AM
Vancouver VES Members and Their Guests are Invited to a Pre-Release Screening of Universal Pictures’1917 Please RSVP below Wednesday, December 18, 2019 at 7:00PM
Vancouver VES Members and Their Guests are Invited to a Screening of Sony Pictures’JUMANJI: THE NEXT LEVEL Please RSVP below Monday, December 16, 2019 at 7:00PM
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Animation Studios’FROZEN 2 Please RSVP below (VES members must login to RSVP and see venue information) Wednesday, November 27, 2019 at 7:00PM
Vancouver VES Members and Their Guests are Invited to an Opening Weekend Screening of 20th Century Fox’s FORD V FERRARI followed by a live interactive Q&A with the Filmmakers
Panelists will include Visual Effects Supervisor Olivier Dumont, Visual Effects Producer Kathy Siegel and Special Effects Supervisor Mark R. Byers. (All panelists’ participation based on availability.)
Please RSVP below (VES members must login to RSVP and see venue information)
Saturday, November 16, 2019 at 11:00AM
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’DOCTOR SLEEP Please RSVP below Wednesday, November 13, 2019 at 7:00PM
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ THE GOLDFINCH Please RSVP below Wednesday, September 18, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ IT CHAPTER TWO Please RSVP below Wednesday, September 11, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Millenium Films’ ANGEL HAS FALLEN Please RSVP below Wednesday, August 28, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s THE ART OF RACING IN THE RAIN Please RSVP below Thursday, August 15, 2019 at 7:00PM
Image Engine Design
15 W. 5th Avenue, Vancouver, BC, V5Y 1H4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ FAST & FURIOUS PRESENTS: HOBBS & SHAW Please RSVP below Wednesday, August 7, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Walt Disney Pictures’ THE LION KINGfollowed by a live interactive Q&A with the Filmmakers
Panelists will include Director Jon Favreau, Visual Effects Supervisor Rob Legato, and Cinematographer Caleb Deschanel, ASC, moderated by Michael Fink, VES. (All panelists’ participation based on availability.)
Please RSVP below
Saturday, July 27, 2019 at 11:00AM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESLIONKING, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 20th Anniversary Screening of Paramount Pictures’ GALAXY QUEST followed by a Q&A with Compositing Supervisor Marshall Krasser. Please RSVP below Thursday, July 18, 2019 at 7:00PM
Image Engine Design
15 W. 5th Avenue, Vancouver, BC, V5Y 1H4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 20th Anniversary Screening of Paramount Pictures’ GALAXY QUEST followed by a Q&A with Compositing Supervisor Marshall Krasser. Please RSVP below Thursday, July 18, 2019 at 7:00PM
Image Engine Design
15 W. 5th Avenue, Vancouver, BC, V5Y 1H4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ and Marvel Studios’ SPIDER-MAN: FAR FROM HOME Please RSVP below Wednesday, July 10, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to an Opening Weekend 3D Screening of Disney•Pixar’s TOY STORY 4
Please RSVP below Sunday, June 23, 2019 at 2:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ MEN IN BLACK: INTERNATIONAL plus Q&A with the Visual Effects Team from Sony Pictures imageworks
Panelists will include 2D Supervisor Kelvin Yee, Compositor Yvonne Oh, Animation Supervisor Craig McPherson, Animator Bianca Gee and Ligiting Technical Director Michelle Gao, moderated by VES Vancouver Co-Chair Susan Rowe. (All panelists’ participation based on availability.)
Please RSVP below Tuesday, June 18, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
June 12th – doors open 7:00PM (CEST) and there will be beer and pizza!
ZOOM stream starts at 7:30PM (CEST)
Masterclass starts at 8:00PM (CEST)
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The VES invites you to our 3rd MEGABRAIN Masterclass where you can learn and share your knowledge with colleagues in the VFX industry. The idea is not to simply present show reels – but to teach actual techniques that help every artist to improve their skillset. This event will take place on June 12th 7:00PM at multiple locations and will also be streamed via ZOOM.
RSVP for your specific location on the appropriate event pages please:
Efficient facial rigging tools for emotionally believable digital humans
presented by Volker Helzle – Head of Research & Development at Filmakademie
Live from Munich Using Machine-learning to classify a VFXElements Library
presented by Jonas Kluger – Pipeline TD at ARRI
Live from Berlin Camera Technology: Sensors, Noise Properties, and Raw Processing
presented by Charles Poynton, PhD
We are overbooking to compensate for no-shows.
Seating is limited and will be available on a first come, first served basis.
An RSVP does not guarantee seating.
VES-Members and their registered guests only (except for Ludwigsburg and Cologne). No admission without registration – also at the streaming locations!
The event will also be recorded for everyone who can’t make it.
The event will be streamed live from (and to) Berlin, Munich, Stuttgart and Ludwigsburg. For the first time we also provide direct access to the ZOOM stream for ALL VES MEMBERS around the world!
VES Germany is a proud Partner of the FMX Conference in Stuttgart.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s and Marvel Studios’ DARK PHOENIX Please RSVP below Wednesday, June 12, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Pre-Release Screening of Universal Pictures’ and Illumination Entertainment’s THE SECRET LIFE OF PETS 2 Please RSVP below Thursday, June 6, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ ROCKETMAN Please RSVP below Tuesday, June 4, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to an Opening Weekend Screening of Warner Bros. Pictures’ and Legendary Entertainment’s GODZILLA: KING OF THE MONSTERS followed by a Q&A with the Filmmakers
Panelists will include Visual Effects Supervisor Guillaume Rocheron, MPC Senior Animation Supervisor Spencer Cook, Method Studios Visual Effects SupervisorDaryl Sawchuk and Double Negative Visual Effects Supervisor Brian Connor, moderated by VES Board member Richard Winn Taylor II, VES. (All panelists’ participation based on availability.) Please RSVP below Sunday, June 2, 2019 at 11:00AM
Double Negative
149 West 4th Avenue, Vancouver, BC, V5Y 4A6 Click here for a map.
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESGODZILLA, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Screen Gems’ and Sony Pictures Entertainment’s BRIGHTBURN Please RSVP below Wednesday, May 29, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Summit Entertainment’s JOHN WICK 3: PARABELLUM Please RSVP below Wednesday, May 22, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Swing Behind-the-Scenes of Spider-Man: Into the Spider-Verse
Imageworks was tasked with breaking the rules in order to create a stylized universe and bring Spider-Man: Into the Spider-Verse to the big screen. From animation to technology, artists were challenged with developing new tools and techniques to create a groundbreaking visual style for this fresh and highly original take on a comic book character beloved by fans worldwide. us
Join us at SONY PICTURES IMAGEWORKS
725 Granville Street, 5th Floor at 7:00 pm for a behind the scenes story of the making of SPIDERVERSE with the shows top influencers – Geeta Basantani, Humerto Rosa, Larry Weiss and Julie Bernier Gosselin.
The talk will show our making-of clips and stories of how the movie was made by our local VANCOUVER team!
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ and Legendary Entertainment’s POKEMON: DETECTIVE PIKACHU Please RSVP below Wednesday, May 15, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ and Marvel Studios’ AVENGERS: ENDGAME Please RSVP below Wednesday, May 1, 2019 at 7:00PM
Double Negative
149 West 4th Avenue, Vancouver, BC, V5Y 4A6 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of Annapurna Pictures’ MISSING LINK.
Please RSVP below Saturday, April 20, 2019 at 11:00AM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ PET SEMATARY Please RSVP below Wednesday, April 17, 2019 at 7:00PM
Image Engine Design
15 W. 5th Avenue, Vancouver, BC, V5Y 1H4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ DUMBO Please RSVP below Wednesday, April 3, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ WONDER PARK Please RSVP below Wednesday, March 20, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to as Opening Weekend 3D Screening of Walt Disney Pictures’ and Marvel Studios’ CAPTAIN MARVEL followed by a Q&A with the Filmmakers.Panelists will include Directors Anna Boden and Ryan Fleck as well as Additional Visual Effects Supervisor Janelle Croshaw Ralla, moderated by Bill Taylor, VES, ASC. (Panelists will be announced as they are confirmed.) Please RSVP below Sunday, March 10, 2019 at 11:00AM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESCAPTAINMARVEL, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to an Opening Weekend 3D Screening of DreamWorks Animation’s and Universal Pictures’ HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD followed by a live interactive Q&A with Director Dean DeBlois, Producer Brad Lewis, Visual Effects Supervisor Dave Walvood, Head of Character Animation Simon Otto and Head of Effects Li-Ming ‘Lawrence’ Lee moderated by Director Bill Kroyer. (All panelists’ participation based on availability.)
Please RSVP below Saturday, February 23, 2019 at 11:00AM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESDRAGON, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of 20th Century Fox’s ALITA: BATTLE ANGEL Please RSVP below Wednesday, February 20, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ THE LEGO MOVIE 2: THE SECOND PART Please RSVP below Wednesday, February 13, 2019 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Here is a cool event coming up in February for all VES Members and guests in collaboration with SPARK FX 2019.
The event will take place on Sunday, Feb 10th, from 12.30 – 4.30.
The goal of this event is to educate, inspire and encourage! Our mantra is “Tools for change”.
In the past few years, our colleagues have talked about their experiences, we have listened and sympathized but there is a growing feeling that we now need to change gears and make the change happen. So, this Summit will be different, we will offer our audiences practical advice on how to deal with the important issues which affect our working lives. We will discuss equal pay, how to navigate difficult situations regarding our career paths and of course, life balance and family commitments.
The event is not only for women. We want a mixed audience. We all have something to learn, especially as studios now strive to maintain and grow a culture of Diversity.
Please find attached a link to the website where you can read more about the day and sign up. This Diversity event is FREE.
Here is a cool event coming up in February for all VES Members and guests in collaboration with SPARK FX 2019.
The event will take place on Sunday, Feb 10th, from 12.30 – 4.30.
The goal of this event is to educate, inspire and encourage! Our mantra is “Tools for change”.
In the past few years, our colleagues have talked about their experiences, we have listened and sympathized but there is a growing feeling that we now need to change gears and make the change happen. So, this Summit will be different, we will offer our audiences practical advice on how to deal with the important issues which affect our working lives. We will discuss equal pay, how to navigate difficult situations regarding our career paths and of course, life balance and family commitments.
The event is not only for women. We want a mixed audience. We all have something to learn, especially as studios now strive to maintain and grow a culture of Diversity.
Please find attached a link to the website where you can read more about the day and sign up. This Diversity event is FREE.
Vancouver VES Members and Their Guests are Invited to an Opening Night Screening of Paramount Pictures’ BUMBLEBEE Please RSVP below Thursday, December 20, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Sony Pictures Animation’s SPIDER-MAN: INTO THE SPIDER-VERSE Please RSVP below Wednesday, December 19, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Pre-Release Screening of Universal Pictures’ MORTAL ENGINES followed by a Q&A with Visual Effects Supervisor Ken McGaugh, Animation Supervisor Dennis Yoo, Visual Effects Supervisor Luke Millar and Visual Effects Supervisor Kevin Smith moderated by VES Board member Jeff Kleiser. (All panelists’ participation based on availability.) Please RSVP below Sunday, December 2, 2018 at 11:00AM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESMORTALENGINES, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Netflix’s MOWGLI followed by a Q&A with Director Andy Serkis, Animation Supervisor Max Solomon and Members of the Visual Effects Team T.B.A. moderated by VES Board member Richard Winn Taylor II, VES. (All panelists’ participation based on availability.) Please RSVP below Saturday, December 1, 2018 at 11:00AM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESMOWGLI, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Screening of Universal Pictures’ and Illumination Entertainment’s DR. SEUSS’ THE GRINCH Please RSVP below Thursday, November 22, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ OVERLORD Please RSVP below Wednesday, November 21, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Pre-Release Screening of Walt Disney Animation Studios’ RALPH BREAKS THE INTERNET followed by a Q&A with Visual Effects Supervisor Scott Kersavage, Character Look Development Supervisor Michelle Robinson and Head of Effects Animation Cesar Velazquezmoderated by VES Board member Charlie Iturriaga. (All panelists’ participation based on availability.) Please RSVP below Saturday, November 17, 2018 at 11:00AM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESRALPH, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ THE GIRL IN THE SPIDER’S WEB Please RSVP below Wednesday, November 14, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ THE NUTCRACKER AND THE FOUR REALMS Please RSVP below Tuesday, November 13, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s BOHEMIAN RHAPSODY Please RSVP below Wednesday, November 7, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
When: Sunday, October 21, 2018 at 11:00AM – 2:00PM
Type: Screening
Washington VES Members and their guests are invited to a special Screening of “Tim Burton’s THE NIGHTMARE BEFORE CHRISTMAS”.
There will be a “Making Of” talk from Michael Belzer at the screening, which will shed some insight to his animation experience while working on the film.
Sunday, October 21, 2018 at 11:00AM – 2:00PM
Please RSVP to attend this special event!
SIFF Cinema Uptown Theater
511 Queen Anne Avenue North, Seattle, WA 98122
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES MEMBERS DO NOT NEED TO LINE UP with SIFF Members. Come directly to the door to check in, or there will be a VES line to the right of the SIFF line.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ and Marvel Studios’ BLACK PANTHER followed by a live interactive Q&A with Writer/Director Ryan Coogler, Visual Effects Supervisor Geoffrey Baumann, ILM Visual Effects Supervisor Craig Hammack, Additional Visual Effects Supervisor Jesse James Chisholm and Special Effects Supervisor Dan Sudick moderated by VES Board member David Tanaka. (All panelists’ participation based on availability.) Please RSVP below Saturday, Ocotober 20, 2018 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in San Francisco) immediately following the screening. (be sure to include the hashtag, #VESWAKANDA4EVER, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s BAD TIMES AT THE EL ROYALE Please RSVP below Wednesday, October 17, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ VENOM Please RSVP below Wednesday, October 10, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Pre-Release Screening of Universal Pictures’ FIRST MAN followed by a Presentation and Live Interactive Q&A with Visual Effects Supervisor Paul Lambert, Miniature Effects Supervisor Ian Hunter and Special Effects Supervisor J.D. Schwalm moderated by VES 1st Vice Chair Jeffrey A. Okun, VES. (All panelists’ participation based on availability.) Please RSVP below Saturday, October 6th, 2018 at 12:00PM
Double Negative
149 West 4th Avenue, Vancouver, BC, V5Y 4A6 Click here for a map.
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESFIRSTMAN, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Annapurna Pictures’ THE SISTERS BROTHERS Please RSVP below Thursday, September 27, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ THE HOUSE WITH A CLOCK IN ITS WALLS Please RSVP below Wednesday, September 26, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s THE PREDATOR Please RSVP below Thursday, September 20, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Sony Pictures’ WHITE BOY RICK Please RSVP below Tuesday, September 18, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of STX Entertainment’s PEPPERMINT Please RSVP below Wednesday, September 12, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ ALPHA Please RSVP below Wednesday, August 29, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Focus Features’ BLACKkKLANSMAN Please RSVP below Wednesday, August 15, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ CHRISTOPHER ROBIN Please RSVP below Thursday, August 9, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s THE DARKEST MINDS Please RSVP below Tuesday, August 7, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ MISSION: IMPOSSIBLE – FALLOUT Please RSVP below Wednesday, August 1, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Sony Pictures Animation’s HOTEL TRANSYLVANIA 3: SUMMER VACATION Please RSVP below Sunday, July 22, 2018 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ SKYSCRAPER
Please RSVP below
Wednesday, July 18, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ and Blumhouse Pictures’ THE FIRST PURGE
Please RSVP below
Wednesday, July 11, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to an Opening Weekend 3D Screening of Walt Disney Pictures’ and Marvel Studios’ ANT-MAN AND THE WASP followed by a Live Interactive Q&A with Director Peyton Reed as well as Visual Effects Supervisor Stephane Ceretti moderated by VES Archives Committee Chair Gene Kozicki. (All panelists’ participation based on availability.) Please RSVP below Saturday, July 7, 2018 at 5:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESWASP, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Sony Pictures’ SICARIO: DAY OF THE SOLDADO
Please RSVP below
Wednesday, July 4, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Special Fathers’ Day Opening Weekend Screening of Walt Disney Pictures’ and Pixar Animation Studios’ INCREDIBLES 2
Please RSVP below Sunday, June 17, 2018 at 3:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Special Fathers’ Day 3D Screening of Universal Pictures’ and Amblin Entertainment’s JURASSIC WORLD: FALLEN KINGDOM followed by a Live Interactive Q&A with Director J.A. Bayona, ILM Visual Effects Supervisor David Vickery, ILM Animation Director Jance Rubinchik and ILM Visual Effects Supervisor Alex Wuttke. with moderation by VES London Section Secretary Gavin Graham (All panelists’ participation based on availability.)
Please RSVP below Sunday, June 17, 2018 at 11:00AM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in London) immediately following the screening. (be sure to include the hashtag, #VESJURASSIC, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of WME Endeavor’s HOTEL ARTEMIS
Please RSVP below
Thursday, June 14, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Opening Weekend Screening of Walt Disney Pictures’ and Lucasfilm Ltd’s SOLO: A STAR WARS STORY followed by a live interactive Q&A with Overall Visual Effects Supervisor Rob Bredow, ILM Visual Effects Supervisor Pat Tubach, ILM Roto/Paint Supervisor Beth D’Amato and Hybride Visual Effects Supervisor Joseph Kasparian with moderation by VES Board member David Tanaka. (All panelists’ participation based on availability.) Please RSVP below Sunday, May 27, 2018 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in San Francisco) immediately following the screening. (be sure to include the hashtag, #VESSOLO, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s DEADPOOL 2
Please RSVP below
Wednesday, May 23, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Special Screening of the Original TOTAL RECALL (1990) followed by a discussion with the Academy’s Special Achievement Award-winning Visual Effects Supervisor Eric Brevig, moderated by VES Vancouver Board member Steve Garrad.
Please RSVP below
Thursday, May 10, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Focus Features’ TULLY
Please RSVP below
Wednesday, May 9, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Walt Disney Pictures’ and Marvel Studios’ AVENGERS: INFINITY WAR followed by a Live Interactive Q&A with Visual Effects Producers Jen Underdahl and Lisa Marra, Weta Digital Visual Effects Supervisor Matt Aitken, Industrial Light + Magic Visual Effects Supervisor Russell Earl and Digital Domain Visual Effects Supervisor Kelly Port with moderation by VES Board member Jeff Kleiser. (All panelists’ participation based on availability.) Please RSVP below Sunday, May 6, 2018 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESINFINITYWAR, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ A QUIET PLACE
Please RSVP below
Wednesday, April 11, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Warner Bros. Pictures’ and Amblin Entertainment’s READY PLAYER ONE followed by a Q&A with Co-Producer and Visual Effects Producer Jennifer Meislohn, ILM Visual Effects Supervisor Grady Cofer, Digital Domain Visual Effects Supervisor Matthew Butler and Digital Domain Previsualization Supervisor Scott Meadows as well as Digital Domain Virtual Production Supervisor Gary Roberts, moderated by VES Board member Charlie Iturriaga. (All panelists’ participation based on availability.) Please RSVP below Saturday, April 7, 2018 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESRPO, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ PACIFIC RIM UPRISING
Please RSVP below
Wednesday, March 28, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of Walt Disney Pictures’ A WRINKLE IN TIME followed by a Live Interactive Q&A with Visual Effects Supervisor Rich McBride and Previs Supervisor Chris Batty with moderation by VES Board member Lisa Cooke. Please RSVP below Saturday, March 17, 2018 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in San Francisco) immediately following the screening. (be sure to include the hashtag, #VESWRINKLE, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s RED SPARROW
Please RSVP below
Wednesday, March 14, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ and Marvel Studios’ BLACK PANTHER
Please RSVP below
Wednesday, February 21, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ ONLY THE BRAVE
Please RSVP below
Wednesday, January 31, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ PADDINGTON 2
Please RSVP below
Wednesday, January 10, 2018 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ DOWNSIZING
Please RSVP below
Monday, December 18, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to an Opening Weekend Screening of Walt Disney Pictures’ and Lucasfilm Ltd.’s STAR WARS: THE LAST JEDI plus a live interactive Q&A.
Panelists will include Writer/Director Rian Johnson, ILM San Francisco Visual Effects Supervisor Eddie Pasquarello, ILM Vancouver Visual Effects Supervisor Dan Seddon, Cinematographer Steve Yedlin, ASC and Editor Bob Ducsay with moderation by VES Chair Mike Chambers. (All panelists’ participation based on availability.)
Please RSVP below Sunday, December 17, 2017 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESLASTJEDI, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Fox Searchlight’s THE SHAPE OF WATER
Please RSVP below
Monday, December 11, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Focus Features’ DARKEST HOUR
Please RSVP below
Wednesday, December 6, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ and Pixar Animation Studios’ COCO
Please RSVP below
Wednesday, November 29, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ and Marvel Studios’ THOR: RAGNAROK
Please RSVP below
Wednesday, November 8, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ SUBURBICON
Please RSVP below
Wednesday, November 1, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ THE SNOWMAN
Please RSVP below
Wednesday, Ocotber 25, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ BLADE RUNNER 2049
Please RSVP below
Wednesday, October 18, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ AMERICAN MADE
Please RSVP below
Wednesday, October 11, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Focus Features’ VICTORIA & ABDUL
Please RSVP below
Wednesday, September 27, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s KINGSMEN: THE GOLDEN CIRCLE
Please RSVP below
Saturday, September 23, 2017 at 2:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ MOTHER!
Please RSVP below
Wednesday, September 20, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Lionsgate’s and Millennium Films’ THE HITMAN’S BODYGUARD
Please RSVP below
Wednesday, August 30, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of The Weinstein Company’s WIND RIVER
Please RSVP below
Wednesday, August 9, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Focus Features’ ATOMIC BLONDE
Please RSVP below
Wednesday, August 3, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of STX Entertainment’s VALERIAN AND THE CITY OF A THOUSAND PLANETS, plus a live interactive Q&A with the filmmakers.
Panelists will include Visual Effects Supervisor Scott Stokdyk, Visual Effects Producer Sophie Leclerc, Rodeo FX Associate Visual Effects Supervisor Peter Nofz and Weta Digital Visual Effects Supervisor Martin Hill with moderation by VES Board member Bill Taylor, VES, ASC. (All panelists’ participation based on availability.)
Please RSVP below Sunday, July 30, 2017 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESVALERIAN, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to an Opening Weekend Screening of 20th Century Fox’s WAR FOR THE PLANET OF THE APES, plus a live interactive Q&A with the filmmakers.
Panelists will include Senior Visual Effects Supervisor Joe Letteri and Director Matt Reeves with moderation by VES Board member Jeff Kleiser. (All panelists’ participation based on availability.)
Please RSVP below Saturday, July 15, 2017 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESWARFORTHEPLANET, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ and Marvel Studios’ SPIDER-MAN: HOMECOMING
Please RSVP below
Wednesday, July 12, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ and Illumination Entertainment’s DESPICABLE ME 3
Please RSVP below
Wednesday, July 5, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Paramount Pictures’ TRANSFORMERS: THE LAST KNIGHT
Please RSVP below
Wednesday, June 28, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Universal Pictures’ THE MUMMY
Please RSVP below
Wednesday, June 14, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ WONDER WOMAN
Please RSVP below
Wednesday, June 7, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES
Please RSVP below
Wednesday, May 31, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s ALIEN: COVENANT
Please RSVP below
Wednesday, May 24, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ KING ARTHUR: LEGEND OF THE SWORD
Please RSVP below
Wednesday, May 17, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ and Marvel Studios’ GUARDIANS OF THE GALAXY, VOL. 2
Please RSVP below
Wednesday, May 10, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
CHANGE OF DATE! NOW
Wednesday, April 19, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Paramount Pictures’ GHOST IN THE SHELL
Please RSVP below
Wednesday, April 5, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES PUB NIGHT! When: Thu Mar 30, 2017 06:30pm to 10:30pm PDT
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Pictures’ BEAUTY AND THE BEAST
Please RSVP below
Tuesday, March 28, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
As this will be a popular screening, and seating is limited, we won’t be overbooking the evening. If you sign up for the event, we will be asking you to confirm your attendance, as well as the attendance of your guests, and will have a waitlist in reserve for any unconfirmed seats.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Warner Bros. Pictures’ KONG: SKULL ISLAND
Please RSVP below
Tuesday, March 14, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s LOGAN
Please RSVP below
Wednesday, March 8, 2017 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Members and Their Guests are Invited to an Opening Weekend Screening of Walt Disney Pictures’ and Lucasfilm Ltd.’s ROGUE ONE: A STAR WARS STORY plus a Q&A.
Panelists will include Executive Producer and Visual Effects Supervisor John Knoll and Animation Supervisor Hal Hickel with moderation by VES 1st Vice Chair Jeffrey A. Okun, VES. (All panelists’ participation based on availability.)
Please RSVP below Sunday, December 18, 2016 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESROGUEONE, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Members and Their Guests are Invited to a Pre-Release Screening of Columbia Pictures’ PASSENGERS, plus a live interactive Q&A with the filmmakers.
Panelists will include Visual Effects Supervisor Pete Dionne, Co-Producer Greg Baxter, Film Editor Maryann Brandon and Production Designer Guy Hendrix Dyas with moderation by VES Board member Jeff Kleiser. (All panelists’ participation based on availability.)
Please RSVP below Saturday, December 17, 2016 at 12:00PM
There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESPASSENGERS, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Pre-Release 3D Screening of Universal Pictures’ and Illumination Entertainment’s SING
Please RSVP below
Tuesday, December 13, 2016 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Animation Studios’ MOANA
Please RSVP below
Wednesday, November 30, 2016 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Warner Bros. Pictures’ FANTASTIC BEASTS AND WHERE TO FIND THEM
Please RSVP below
Tuesday, November 22, 2016 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Paramount Pictures’ ARRIVAL
Please RSVP below
Wednesday, November 16, 2016 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ INFERNO
Please RSVP below
Tuesday, November 1, 2016 at 7:00PM
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of 20th Century Fox’s MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN
Please RSVP below Saturday, October 22, 2016 at 2:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Members and Their Guests in Vancouver are Invited to a Pre-Release Screening of Lionsgate’s and Summit Entertainment’s DEEPWATER HORIZON, plus a live interactive Q&A with the filmmakers.
Panelists will include Director Peter Berg, Special Effects Supervisors Burt Dalton and Matt Kutcher and Lead Post-Vis Artist at ILM Keith Johnson with moderation by VES Board member Dan Schrecker. (All panelists’ participation based on availability.)
Please RSVP below Saturday, September 24, 2016 at 12:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in New York) immediately following the screening. (be sure to include the hashtag, #VESDEEPWATERHORIZON, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Synopsis:
On April 20th, 2010, one of the world’s largest man-made disasters occurred on the Deepwater Horizon in the Gulf of Mexico. Directed by Peter Berg (LONE SURVIVOR), this story honors the brave men and women whose heroism would save many on board, and change everyone’s lives forever. Click here to watch the trailer
Vancouver VES Members and Their Guests are Invited to an Opening Weekend Screening of Universal Pictures’ JASON BOURNE
Please RSVP below Sunday, July 31, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Columbia Pictures’ GHOSTBUSTERS
Please RSVP below Sunday, July 31, 2016 at 1:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Paramount Pictures’ STAR TREK BEYOND, plus a Q&A with the visual effects team.
Panelists will include Kelvin Optical Visual Effects Supervisor Stefano Trivelli, Visual Effects Producer Ron Ames, Atomic Fiction Visual Effects Supervisor Ryan Tudhope with moderation by VES Fellow and Founders Award winner Bill Taylor, VES. (All panelists’ participation based on availability.)
Please RSVP below Saturday, July 23, 2016 at 12:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESSTARTREK, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to an Opening Weekend 3D Screening of 20th Century Fox’s INDEPENDENCE DAY: RESURGENCE
We’ve heard your feedback that you’d like a more central location for screenings. You may have noticed that we’ve started to include screenings at locations in central Vancouver, and we will continue to do so throughout the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Sunday, June 26, 2016 at 4:30PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to an Opening Weekend 3D Screening of 20th Century Fox’s INDEPENDENCE DAY: RESURGENCE
We’ve heard your feedback that you’d like a more central location for screenings. You may have noticed that we’ve started to include screenings at locations in central Vancouver, and we will continue to do so throughout the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Sunday, June 26, 2016 at 4:30PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Vancouver Members and Their Guests are Invited to a Screening of 20th Century Fox’s Original Film from 1996 INDEPENDENCE DAY
We’ve heard your feedback that you’d like a more central location for screenings. You may have noticed that we’ve started to include screenings at locations in central Vancouver, and we will continue to do so throughout the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Sunday, June 26, 2016 at 1:30PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Vancouver Members and Their Guests are Invited to a Screening of 20th Century Fox’s Original Film from 1996 INDEPENDENCE DAY
We’ve heard your feedback that you’d like a more central location for screenings. You may have noticed that we’ve started to include screenings at locations in central Vancouver, and we will continue to do so throughout the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Sunday, June 26, 2016 at 1:30PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Paramount Pictures’ TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS
We’ve heard your feedback that you’d like a more central location for screenings. We are working on several options, and will have a downtown location by the end of the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Saturday, June 18, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Paramount Pictures’ TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS
We’ve heard your feedback that you’d like a more central location for screenings. We are working on several options, and will have a downtown location by the end of the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Saturday, June 18, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 2D Screening of Walt Disney Pictures’ and Pixar Animation Studios’ FINDING DORY
We’ve heard your feedback that you’d like a more central location for screenings. We are working on several options, and will have a downtown location by the end of the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Saturday, June 18, 2016 at 1:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 2D Screening of Walt Disney Pictures’ and Pixar Animation Studios’ FINDING DORY
We’ve heard your feedback that you’d like a more central location for screenings. We are working on several options, and will have a downtown location by the end of the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Saturday, June 18, 2016 at 1:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Walt Disney Pictures’ ALICE THROUGH THE LOOKING GLASS
We’ve heard your feedback that you’d like a more central location for screenings. We are working on several options, and will have a downtown location by the end of the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Saturday, June 11, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Walt Disney Pictures’ ALICE THROUGH THE LOOKING GLASS
We’ve heard your feedback that you’d like a more central location for screenings. We are working on several options, and will have a downtown location by the end of the Summer. In the meantime, we’ll continue offering screenings at Capilano to showcase your collective and incredible work!
Please RSVP below
Saturday, June 11, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Penthouse Event Space
333 Terminal Avenue, Suite 800, Vancouver, BC, V6A 4C1 Click here for a map.
What Is It?
The combined Sohonet, Google Cloud and Avere teams will converge on Vancouver to hold a private afternoon workshop on cloud rendering for VFX. The presentation will include case studies, a discussion of best practices and a Q&A session designed to answer your questions about how to add scale to your VFX workflows.
Who Is It For?
This event is for technical staff, business development teams and producers from VFX, Production and Post-Production facilities interested in learning from the teams that have been in the trenches with cloud render from the beginning.
What’s In It for Attendees?
Time-saving knowledge forged from experience and hard lessons learned. A chance to meet the teams leading the charge for Cloud Rendering. Ridiculously cool swag. Service credits from Sohonet, Google and Avere worth more than $1000 for every company in attendance.
Where is It?
The event will be held at the Penthouse Event Suite, 333 Terminal Avenue, Suite 800 in Vancouver.
What’s the Schedule?
Guests arrive, welcome drinks and snacks: 4:00PM to 5:00PM
Presentation by Sohonet, Google and Avere: 5:00PM to 6:00PM
Reception, cocktails, appetizers and desserts: 6:00PM to 7:30PM
Sohonet
Organiser of Cloud Rendering for VFX – A Workshop By Sohonet, Google and Avere
Sohonet has an established heritage in connecting media businesses with their customers and partners, enabling a community of media companies to collaborate in the creation and delivery of exceptional content. Our “Connected Cloud Services” extend this capability to connect media businesses with storage and compute capacity anywhere in the world. Together with our partners at Google and Avere, we are changing the way content gets made.
Penthouse Event Space
333 Terminal Avenue, Suite 800, Vancouver, BC, V6A 4C1 Click here for a map.
What Is It?
The combined Sohonet, Google Cloud and Avere teams will converge on Vancouver to hold a private afternoon workshop on cloud rendering for VFX. The presentation will include case studies, a discussion of best practices and a Q&A session designed to answer your questions about how to add scale to your VFX workflows.
Who Is It For?
This event is for technical staff, business development teams and producers from VFX, Production and Post-Production facilities interested in learning from the teams that have been in the trenches with cloud render from the beginning.
What’s In It for Attendees?
Time-saving knowledge forged from experience and hard lessons learned. A chance to meet the teams leading the charge for Cloud Rendering. Ridiculously cool swag. Service credits from Sohonet, Google and Avere worth more than $1000 for every company in attendance.
Where is It?
The event will be held at the Penthouse Event Suite, 333 Terminal Avenue, Suite 800 in Vancouver.
What’s the Schedule?
Guests arrive, welcome drinks and snacks: 4:00PM to 5:00PM
Presentation by Sohonet, Google and Avere: 5:00PM to 6:00PM
Reception, cocktails, appetizers and desserts: 6:00PM to 7:30PM
Sohonet
Organiser of Cloud Rendering for VFX – A Workshop By Sohonet, Google and Avere
Sohonet has an established heritage in connecting media businesses with their customers and partners, enabling a community of media companies to collaborate in the creation and delivery of exceptional content. Our “Connected Cloud Services” extend this capability to connect media businesses with storage and compute capacity anywhere in the world. Together with our partners at Google and Avere, we are changing the way content gets made.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of 20th Century Fox’s X-MEN: APOCALYPSE
Please RSVP below
Saturday, May 28, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of 20th Century Fox’s X-MEN: APOCALYPSE
Please RSVP below
Saturday, May 28, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Members are Invited to the Vancouver Career Fair for Visual Effects, Animation and Video Games
It’s time to get introduced to your future employer in the City’s fastest growing sectors – Vancouver’s best visual effects, animation and online gaming career fair is back and better than ever! Hosted by the Vancouver Economic Commission, and founded by the Visual Effects Society, this free event, May 14th at Vancouver Convention Centre West boasts face-time with more than 30 of the City’s top employers in the digital, entertainment and interactive space.
Click here to RSVP
Saturday, May 14, 2016 from 11:00AM to 4:00PM
Vancouver Convention Centre West
1055 Canada Pl., Vancouver, BC V6C 0C3 Click here for a map
VES Members are Invited to the Vancouver Career Fair for Visual Effects, Animation and Video Games
It’s time to get introduced to your future employer in the City’s fastest growing sectors – Vancouver’s best visual effects, animation and online gaming career fair is back and better than ever! Hosted by the Vancouver Economic Commission, and founded by the Visual Effects Society, this free event, May 14th at Vancouver Convention Centre West boasts face-time with more than 30 of the City’s top employers in the digital, entertainment and interactive space.
Click here to RSVP
Saturday, May 14, 2016 from 11:00AM to 4:00PM
Vancouver Convention Centre West
1055 Canada Pl., Vancouver, BC V6C 0C3 Click here for a map
Vancouver VES Members and Their Families are Invited to a 3D Screening of Walt Disney Pictures’ and Marvel Studios’ CAPTAIN AMERICA: CIVIL WAR
Please RSVP below
Sunday, May 8, 2016 at 4:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Walt Disney Pictures’ THE JUNGLE BOOK
Please RSVP below
Sunday, May 8, 2016 at 1:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a 3D Screening of Walt Disney Pictures’ THE JUNGLE BOOK
Please RSVP below
Sunday, May 8, 2016 at 1:00PM
(There is a $4.75 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Animation Studios’ ZOOTOPIA
Please RSVP below
Sunday, MArch 13, 2016 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Walt Disney Animation Studios’ ZOOTOPIA
Please RSVP below
Sunday, MArch 13, 2016 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s DEADPOOL
Please RSVP below
Sunday, February 21, 2016 at 2:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s DEADPOOL
Please RSVP below
Sunday, February 21, 2016 at 2:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ THE 5TH WAVE
Please RSVP below
Sunday, February 7, 2016 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of Columbia Pictures’ THE 5TH WAVE
Please RSVP below
Sunday, February 7, 2016 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s and Regency Enterprises’ THE REVENANT
Please RSVP below
Sunday, January 31, 2016 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Screening of 20th Century Fox’s and Regency Enterprises’ THE REVENANT
Please RSVP below
Sunday, January 31, 2016 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Walt Disney Pictures’ STAR WARS: THE FORCE AWAKENS, plus a Q&A with the visual effects team.
Panelists will include Visual Effects Supervisors Roger Guyett and Pat Tubach, Special Effects Supervisor Chris Corbould and Creature Effects Supervisor Neal Scanlan with moderation by VES Chair Mike Chambers. (All panelists’ participation based on availability.)
Please RSVP below Sunday, January 10, 2016 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESSTARWARS, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Walt Disney Pictures’ STAR WARS: THE FORCE AWAKENS, plus a Q&A with the visual effects team.
Panelists will include Visual Effects Supervisors Roger Guyett and Pat Tubach, Special Effects Supervisor Chris Corbould and Creature Effects Supervisor Neal Scanlan with moderation by VES Chair Mike Chambers. (All panelists’ participation based on availability.)
Please RSVP below Sunday, January 10, 2016 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESSTARWARS, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Cocktail Reception and Screening of TriStar Pictures’ in Association with LStar Capital’s THE WALK followed by a Q&A with Overall Visual Effects Supervisor Kevin Baillie, and Visual Effects Producer Camille Cellucci.
Please RSVP below
Thursday, December 17, 2015 at 6:30PM
Cocktail reception at 6:30PM, Screening at 7:30PM.
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Guests are Invited to a Cocktail Reception and Screening of TriStar Pictures’ in Association with LStar Capital’s THE WALK followed by a Q&A with Overall Visual Effects Supervisor Kevin Baillie, and Visual Effects Producer Camille Cellucci.
Please RSVP below
Thursday, December 17, 2015 at 6:30PM
Cocktail reception at 6:30PM, Screening at 7:30PM.
Sony Pictures Imageworks
725 Granville Street, Vancouver, BC, V7Y 1K4 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
We would like to cordially invite you to our VES Vancouver Christmas Mixer!
Dec 15th 7pm-Late, 2425 Cambie Street. Great food will be provided along with festive drinks.
It would be great if you could attend, as we hope this can also be great oppurtunity for our local board to connect with our members and communicate our plans and discuss changes we see for the future.
We would like to cordially invite you to our VES Vancouver Christmas Mixer!
Dec 15th 7pm-Late, 2425 Cambie Street. Great food will be provided along with festive drinks.
It would be great if you could attend, as we hope this can also be great oppurtunity for our local board to connect with our members and communicate our plans and discuss changes we see for the future.
Vancouver VES Members and Their Families are Invited to a Screening of MGM’s, Columbia Pictures’ and Eon Productions’ SPECTRE
Please RSVP below
Saturday, November 14, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of MGM’s, Columbia Pictures’ and Eon Productions’ SPECTRE
Please RSVP below
Saturday, November 14, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of 20th Century Fox’s THE PEANUTS MOVIE
Please RSVP below
Saturday, November 14, 2015 at 1:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of 20th Century Fox’s THE PEANUTS MOVIE
Please RSVP below
Saturday, November 14, 2015 at 1:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Please pass the word or our industry colleagues as this is open to non-members
Method Studios is an award-winning international visual effects group with facilities in Los Angeles, Vancouver, New York, Chicago, Detroit, Atlanta, London, Sydney and Melbourne. As an artist-driven company known for its creativity, we service high-end feature film, commercial, television, games and motion graphics clients in the global marketplace. Built around an exceptional team of visual effects professionals, Method’s international facilities provide a full range of visual effects services.
Please pass the word or our industry colleagues as this is open to non-members
Method Studios is an award-winning international visual effects group with facilities in Los Angeles, Vancouver, New York, Chicago, Detroit, Atlanta, London, Sydney and Melbourne. As an artist-driven company known for its creativity, we service high-end feature film, commercial, television, games and motion graphics clients in the global marketplace. Built around an exceptional team of visual effects professionals, Method’s international facilities provide a full range of visual effects services.
Vancouver VES Members and Their Families are Invited to a 3D Screening of 20th Century Fox’s THE MARTIAN
Please RSVP below
Saturday, October 10, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of 20th Century Fox’s THE MARTIAN
Please RSVP below
Saturday, October 10, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Universal Pictures’ EVEREST
Please RSVP below
Saturday, September 26, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Universal Pictures’ EVEREST
Please RSVP below
Saturday, September 26, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Sony Pictures Animation’s HOTEL TRANSYLVANIA 2
Please RSVP below
Saturday, September 26, 2015 at 1:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating
Vancouver VES Members and Their Families are Invited to a 3D Screening of Sony Pictures Animation’s HOTEL TRANSYLVANIA 2
Please RSVP below
Saturday, September 26, 2015 at 1:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating
Vancouver VES Members and Their Families are Invited to a Screening of Warner Bros. Pictures’ THE MAN FROM U.N.C.L.E.
Please RSVP below
Saturday, August 29, 2015 at 1:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Where:
JW Marriott Los Angeles L.A. Live
Platinum Ballroom D
900 West Olympic Blvd.
Los Angeles, CA 90015
[map]
The Visual Effects Society and the VES Los Angeles Section invite you to celebrate SIGGRAPH in Los Angeles.
Unwind from all the action of the conference and enjoy a beverage and some nibbles with fellow VES movers and shakers from around the globe! DJ Don Gatito will also be spinning some old skool vinyl for the party. Open to all VES members and a guest.
Where:
JW Marriott Los Angeles L.A. Live
Platinum Ballroom D
900 West Olympic Blvd.
Los Angeles, CA 90015
[map]
The Visual Effects Society and the VES Los Angeles Section invite you to celebrate SIGGRAPH in Los Angeles.
Unwind from all the action of the conference and enjoy a beverage and some nibbles with fellow VES movers and shakers from around the globe! DJ Don Gatito will also be spinning some old skool vinyl for the party. Open to all VES members and a guest.
Vancouver VES Members and Their Families are Invited to a Screening of Paramount Pictures’ MISSION: IMPOSSIBLE ROGUE NATION
Please RSVP below
Saturday, August 8, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of Paramount Pictures’ MISSION: IMPOSSIBLE ROGUE NATION
Please RSVP below
Saturday, August 8, 2015 at 4:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Columbia Pictures’ PIXELS
Please RSVP below
Saturday, August 1, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Columbia Pictures’ PIXELS
Please RSVP below
Saturday, August 1, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Walt Disney Pictures’ and Marvel Studios’ ANT-MAN
Please RSVP below
Sunday, July 19, 2015 at 3:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Universal Pictures’ MINIONS
Please RSVP below
Sunday, July 19, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Universal Pictures’ MINIONS
Please RSVP below
Sunday, July 19, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of Universal Pictures’ TED 2
Please RSVP below
Sunday, July 12, 2015 at 3:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of Universal Pictures’ TED 2
Please RSVP below
Sunday, July 12, 2015 at 3:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Paramount Pictures’ TERMINATOR GENISYS
Please RSVP below
Sunday, July 12, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Paramount Pictures’ TERMINATOR GENISYS
Please RSVP below
Sunday, July 12, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Universal Pictures’ JURASSIC WORLD
Please RSVP below
Sunday, June 28, 2015 at 3:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Universal Pictures’ JURASSIC WORLD
Please RSVP below
Sunday, June 28, 2015 at 3:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 2D Screening of Disney’s and Pixar’s INSIDE OUT
Please RSVP below
Sunday, June 28, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 2D Screening of Disney’s and Pixar’s INSIDE OUT
Please RSVP below
Sunday, June 28, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Warner Bros. Pictures’ SAN ANDREAS
Please RSVP below
Sunday, May 31, 2015 at 3:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Warner Bros. Pictures’ SAN ANDREAS
Please RSVP below
Sunday, May 31, 2015 at 3:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of Walt Disney Pictures’ TOMORROWLAND
Please RSVP below
Sunday, May 31, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a Screening of Walt Disney Pictures’ TOMORROWLAND
Please RSVP below
Sunday, May 31, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Warner Bros. Pictures’ MAD MAX: FURY ROAD
Please RSVP below
Sunday, May 24, 2015 at 1:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Warner Bros. Pictures’ MAD MAX: FURY ROAD
Please RSVP below
Sunday, May 24, 2015 at 1:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members and Their Families are Invited to a 3D Screening of Walt Disney Pictures’ and Marvel Studios’ AVENGERS: AGE OF ULTRON, plus a live interactive Q&A with the visual effects team
Panelists will include Overall Visual Effects Supervisor Christopher Townsend, Additional Visual Effects Supervisor Geoffrey Baumann, ILM Visual Effects Supervisor Ben Snow, ILM Animation Supervisor Marc Chu, Trixter Animation Supervisor Simone Kraus and moderated by VES Chair Mike Chambers. (All panelists’ participation based on availability.)
Please RSVP below
Sunday, May 17, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Please tweet your questions after the screening in order to participate in the Q&A panel (which will take place in Los Angeles) immediately following the screening. (be sure to include the hashtag, #VESAVENGERS2, in your tweet.)
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Vancouver Members and Their Families are Invited to a Screening of Columbia Pictures’ CHAPPIE
Please RSVP below Saturday, March 14, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Vancouver Members and Their Families are Invited to a Screening of Columbia Pictures’ CHAPPIE
Please RSVP below Saturday, March 14, 2015 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Vancouver Members And Their Families Are Invited To A 3D Screening Of Warner Bros. Pictures’ THE HOBBIT: THE BATTLE OF THE FIVE ARMIES
Please RSVP below Sunday, December 21, 2014 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Vancouver Members And Their Families Are Invited To A 3D Pre-Release Screening Of 20th Century Fox’s EXODUS: GODS AND KINGS
Please RSVP below Saturday, December 6, 2014 at 11:00AM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Vancouver VES Members & Guests Are Invited To A Screening Of Paramount Pictures’ INTERSTELLAR
Please RSVP below
Saturday, November 22, 2014 at 12:00PM
(There is a $3.25 parking fee per car)
Capilano University Bosa Centre Theater
2055 Purcell Way (entrance #2 off Skeena Road), North Vancouver, BC, V7J 3H5
Park in lot #2 or #3 at the North end of the campus. Arrive early for the screening to allow time to walk to the theater. The theater doors will lock after the screening starts as per University security so don’t be late!
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
VES Members Are Invited To Attend The 2014 Annual Membership Meeting (AMM) in Los Angeles, Vancouver or Online. Online attendees will receive login instructions on the Monday prior to the AMM.
Please RSVP below
Los Angeles – Tuesday, September 23, 2014 at 7:00PM (PDT)
(Reception from 5:30PM to 7:00PM, Business & Presentations from 7:00PM to 10:00PM)
The Academy of Motion Picture Arts and Sciences’ Pickford Center for Motion Picture Study The Linwood Dunn Theater
1313 North Vine Street, Hollywood, CA 90028 Click here for a map.
Vancouver – Tuesday, September 23, 2014 at 7:00PM (PDT)
(Reception from 6:00PM to 7:00PM on the 5th Floor, Meeting & Presentation Simulcast at 7:00PM)MPC Vancouver
1132 Hamilton Street (Between Davie Street and Hamilton Street), Vancouver, BC V6B 2S2 Click here for a map.
Vancouver VES Members & Guests Are Invited To A Screening Of 20th Century Fox’s THE MAZE RUNNER followed by a Q&A with the visual effects team from Method Studios
Panelists will include Visual Effects Supervisor Sue Rowe, Animation Director Eric de Boer, and Creature T.D. James Jacobs and a moderator T.B.D.
Please RSVP below
Saturday, September 20, 2014 at 12:00PM
The Rio Theatre
1660 East Broadway, Vancouver, V5N 1W1 Click here for a map.
Screenings are overbooked to compensate for no-shows. Seating is limited and will be available on a first come, first served basis. An RSVP does not guarantee seating.
Please RSVP below
Free for VES members, $15 for non-members
(VES members only may attend live online)
This in person event is for ages 21 and older. Saturday, August 16, 2014 at 12:00PM
Cocktail reception from 12:00PM to 12:30PM
Event from 12:30PM to 2:30PM
Big Picture
2505 First Ave., Seattle, WA 98121 Click here for a map
Panelists will include Lead Visual Effects Artist Matt Vainio, Art Director Horia Dociu and Programmer Matt Durasoff.
The visual effects and development team created a new scriptable particle system engine and tool to accomplish the astounding visual effects that are crucial to gameplay and themselves a major character in the game.
The Festival Has Begun! 
WHAT MOVIE WON? JOIN US TONIGHT TO FIND OUT!
Now that the 18th Annual VES Awards season is underway, we once again invite VES members to participate in our Nomination Panels. The Nomination Event will be held worldwide on January 4, 2020.
When: Sunday, October 21, 2018 at 11:00AM – 2:00PM
