Hall of Fame
This distinction is bestowed upon a select group of professionals and pioneers who have played a significant role in advancing the field of visual effects by invention, science, contribution or avocation of the art, science, technology and/or communications.
VES Hall of Fame inductees include both living legends and those being honored posthumously (noted with an *).
Field was a visual effects supervisor and director of photography, highly regarded as a special effects legend. He is best known for his work on Labyrinth, The Dark Crystal and Superman, which earned him an Academy Special Achievement Award and BAFTA for Visual Effects for the team’s stunning use of practical, miniature and optical effects.
John P. Fulton, A.S.C.*
Fulton was an American special effects supervisor and cinematographer and created some of the most astounding visual effects of his era. His body of work includes some 250 films spanning nearly four decades, and earned Fulton three Academy Awards for Special Effects for his work on the fantasy Wonder Man, The Bridges at Toko-Ri and The Ten Commandments, in which he parted the Red Sea, among other impressive photographic effects.
Kellison was a visual effects supervisor and designer long before that position was acknowledged in movie credits. He had an almost 40-year career that ranged from the George Pal Puppetoons to industrial films, commercials, and feature films. His specialties include stop-motion animation forced perspective, which he dubbed “Magnascope” to market the technique to the commercial TV business.
John Whitney, Sr.*
Whitney was an American animator, composer and inventor, widely considered to be one of the fathers of computer animation. He used mechanical animation techniques to create sequences for motion picture and television title sequences and commercials; the most famous was his collaboration with Saul Bass on the title sequence for Alfred Hitchcock’s Vertigo. The Academy Film Archive houses the Whitney Collection and has preserved more than a dozen films featuring his work.
Auguste Marie Louis Nicolas Lumière and Louis Jean Lumière*
The Lumière Brothers were manufacturers of photography equipment, best known for their Cinématographe motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers. In parallel with their cinema work, they experimented with color photographic processes including the Lippmann process (interference heliochromy) and their own ‘bichromated glue’ process.
An American film and television producer and director, known for his work in science fiction, then later as the “Master of Disaster” for his work in the disaster film genre.
An American artist, animator and designer, prominent in producing art and animation for The Walt Disney Company and drawing concept art for ALICE IN WONDERLAND, PETER PAN and CINDERELLA and character designs for attractions including Disneyland’s It’s a Small World.
An American engineer and animator, best-known for her contribution of the Pinscreen, a vertically-mounted grid of 240,000 sliding metal rods that are first manually pushed into position to create lit and shaded areas, then filmed frame by frame.
Gene Warren, Jr.*
Special-effects designer at Fantasy II Film Effects who received an Academy Award and BAFTA for his work on TERMINATOR 2: JUDGEMENT DAY and an Emmy for THE WINDS OF WAR.
Gene Warren, Sr.*
Award-winning special-effects director. He started his career as an animator and puppeteer, and his work was seen in dozens of films from the 1950s-70s including TOM THUMB, THE SEVEN FACES OF DR. LAO, SPARTACUS, THE ANDROMEDA STRAIN and THE TIME MACHINE, which won him the Academy Award for Special Effects.